The Art of the Drama |
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Page 57
... abstract " , between proximity to the sensuous impression and remoteness from it in conceptual thinking . Even much abstract language preserves a link with sensuous perception . If , for instance , I say virtue is its own reward , which ...
... abstract " , between proximity to the sensuous impression and remoteness from it in conceptual thinking . Even much abstract language preserves a link with sensuous perception . If , for instance , I say virtue is its own reward , which ...
Page 58
... abstract is how it is used ; that is , how the stock of words which is available to any writer and is the same for all is manipulated , to what purpose and with what intention . Moreover , the distinction opera- tive hère is not between ...
... abstract is how it is used ; that is , how the stock of words which is available to any writer and is the same for all is manipulated , to what purpose and with what intention . Moreover , the distinction opera- tive hère is not between ...
Page 59
... abstract theory . It does not dispense with concepts or conceptual words ; but it uses language in such a way as to bring out to the full its implicit imagery and its potential use as metaphor . As we said above it is not a question of ...
... abstract theory . It does not dispense with concepts or conceptual words ; but it uses language in such a way as to bring out to the full its implicit imagery and its potential use as metaphor . As we said above it is not a question of ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words