Beyond the Word: Reconstructing Sense in the Joyce Era of Technology, Culture, and CommunicationBeyond the Word provides as implicit critique of postmodernism, redefining it as a further, radical stage of modernism. Theall argues that Joyce anticipated many of the insights of semiotics, post-structuralism, and postmodernism. Moreover, Joyce and other modern artists differed from their predecessors in exhibiting a greater sense of their place within a dynamic, multifaceted field of communication. Thus, long before the emergence of postmodernism, these radical modernists posed an implicit challenge to the traditional notion of art as a privileged sphere. Beyond the Word situates artistic expression within a broad ecology of communication alongside genres such as comics, games, ads, videos, and slogans of spontaneous protest. Within this context, Theall reconsiders the contributions of Marshall McLuhan, Harold Innis, Gregory Bateson, and Kenneth Burke to our contemporary understanding of communication, and looks at artists as disparate as Dusan Makavejev, Stanley Kubrick, Alexander Pope, Rabelais, William Gibson, Gene Roddenberry, and Wyndham Lewis. |
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Page 87
... words and within the composite words , makes one feel happy . At the same time there is a feeling that the author himself enjoys most of all the great spectacle of life in spite of his murderous knifing of human petulance . When he ...
... words and within the composite words , makes one feel happy . At the same time there is a feeling that the author himself enjoys most of all the great spectacle of life in spite of his murderous knifing of human petulance . When he ...
Page 125
... words and groups of words are the actors who address one another and also in which the reading practices necessitated by the complex wit bring about an interaction between the interacting words and the reader ( audience ) . In the ...
... words and groups of words are the actors who address one another and also in which the reading practices necessitated by the complex wit bring about an interaction between the interacting words and the reader ( audience ) . In the ...
Page 249
... words and syllables , utilizing his understanding of their morphology and of the way a language's lexicon categorizes knowledge about a culture . Besides , he is also building a language within a language which , like the term ' psychem ...
... words and syllables , utilizing his understanding of their morphology and of the way a language's lexicon categorizes knowledge about a culture . Besides , he is also building a language within a language which , like the term ' psychem ...
Contents
Synaesthesia | 21 |
Gesture the Body | 39 |
Modernity and Poetics | 56 |
Copyright | |
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activity advertising ambivalence artistic aspect assemblage associated Bateson become body Burke central century Citizen Kane comedy comic communica communion complex concept consciousness contemporary create critical critique cultural production cyberspace dance Deleuze dialogue discussion Dr Strangelove dramatic dream Dunciad ecology of sense Eisenstein elements emerging everyday world example exploration Felix Guattari Fellini film Finnegans Wake forms function gesture Gilles Deleuze human communication Ibid images imaginary importance interaction interplay involved James Joyce Joyce's Kenneth Burke language laughter machine Makavéjev Marshall McLuhan means medium memory modern modernist modes of communication montage movement munication nature oral paraliterature play poem poet poetic poetry polysemic popular potential Press provides relation relationship rhetoric role satiric semiotic sensory Sergei Eisenstein signs social society speaking strategies structure Sweet Movie synaesthesia tactility theory Thousand Plateaus tion Trans transformation transgression Ulysses unconscious understanding verbal vision visual words writing Wyndham Lewis