A Text-book on English Literature: With Copious Extracts from the Leading Authors, English and American, with Full Instructions as to the Method in which These are to be Studied, Adapted for Use in Colleges, High Schools and Academies |
From inside the book
Results 1-5 of 59
Page 7
... Feeling .. 17 17 17 ( 1. Rhythm . 18 2. Metre .. 18 3. Rhyme .. 18 Further Remarks .. 18 Beowulf .. Cędmon .. 21 23 24 24 26 Adhelm and Cynewulf ... 28 Vercelli and Exeter Book . 28 Finnesburg ... Brunanburgh Maldon .... First First Eng ...
... Feeling .. 17 17 17 ( 1. Rhythm . 18 2. Metre .. 18 3. Rhyme .. 18 Further Remarks .. 18 Beowulf .. Cędmon .. 21 23 24 24 26 Adhelm and Cynewulf ... 28 Vercelli and Exeter Book . 28 Finnesburg ... Brunanburgh Maldon .... First First Eng ...
Page 16
... feeling ? To the use of specific words ? To conciseness of expression ? To the transposed order of arrangement ? To rapidity of movement ? To striking imagery ? To idiomatic ex- pression ? To apt quotations ? To the use of the climax ...
... feeling ? To the use of specific words ? To conciseness of expression ? To the transposed order of arrangement ? To rapidity of movement ? To striking imagery ? To idiomatic ex- pression ? To apt quotations ? To the use of the climax ...
Page 17
... FEELING . - Is the author's heart in his writings or only his intellect ? If the writing is colored by sentiment ... feeling , or the feeling over the thought ? Is the author hopeful and inspiring ? Is he genial and delightful ? If so ...
... FEELING . - Is the author's heart in his writings or only his intellect ? If the writing is colored by sentiment ... feeling , or the feeling over the thought ? Is the author hopeful and inspiring ? Is he genial and delightful ? If so ...
Page 18
... Feeling in relation to poetry . A few questions , peculiar to poetry , may be set down under the head of FORM . 1. RHYTHM . - What foot prevails in the poem ? Is it dissyl- labic or trisyllabic ? What other feet , if any , are ...
... Feeling in relation to poetry . A few questions , peculiar to poetry , may be set down under the head of FORM . 1. RHYTHM . - What foot prevails in the poem ? Is it dissyl- labic or trisyllabic ? What other feet , if any , are ...
Page 19
... feeling , -could it be divorced , as it cannot , from Shakespeare's diction and style , would lose its charm and its power ; could it be reached by the pupil , as it cannot , without approaching it through his diction and style , the ...
... feeling , -could it be divorced , as it cannot , from Shakespeare's diction and style , would lose its charm and its power ; could it be reached by the pupil , as it cannot , without approaching it through his diction and style , the ...
Other editions - View all
Common terms and phrases
ballads beauty began Ben Jonson Beowulf Cędmon called Canterbury Tales century characters Chaucer Church criticism death delight drama Edward III Elizabethan England English literature English poetry English prose Essays eyes Faerie Queen feeling French genius GEORGE GASCOIGNE Greek hath heart Henry Henry VIII human humor imitated influence John king language Latin Layamon learning LESSON light lish literary lived look Lord Milton mind moral nature never noble Ormulum Paradise Lost passion plays pleasure poem poetic poets political Pope Puritan Quar Queen reign religion religious Roman satire scenery Scotland Scottish Sejanus Shakespeare songs sonnets soul Spenser spirit story style sweet thee things thou thought tion tongue took translation truth unto verse Ward's Anthology whole William William Minto words writing written wrote