Stolen Writings: Blake's Milton, Joyce's Ulysses, and the Nature of Influence |
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Page 25
... sound . Blake , of course , did not dismiss the poetic effects of sound : the point is that the phonic and the graphic are indiscerptible and necessary components of the literary sign . The sign , in all its aspects , was his constant ...
... sound . Blake , of course , did not dismiss the poetic effects of sound : the point is that the phonic and the graphic are indiscerptible and necessary components of the literary sign . The sign , in all its aspects , was his constant ...
Page 67
... sounds that Stephen hears , remembers , or imagines . The narrator reproduces the sound of Stephen's shoes on the sand : " Crush , crack , crick , crick ” ( U 31 ) . Stephen seems to recreate the sound of the bell rung at mass ...
... sounds that Stephen hears , remembers , or imagines . The narrator reproduces the sound of Stephen's shoes on the sand : " Crush , crack , crick , crick ” ( U 31 ) . Stephen seems to recreate the sound of the bell rung at mass ...
Page 68
... sounds . Of course , Joyce cannot give us the actual sounds of cats or doors . The necessities of phonetic notation transform ... sound of the dog is the same on both sides of the channel . Saussure used these national differences as a ...
... sounds . Of course , Joyce cannot give us the actual sounds of cats or doors . The necessities of phonetic notation transform ... sound of the dog is the same on both sides of the channel . Saussure used these national differences as a ...
Contents
Blakes Milton | 13 |
A Case for Influence | 47 |
Joyces Ulysses | 65 |
Copyright | |
3 other sections not shown
Common terms and phrases
actually appears argues artist become beginning Blake Bloom body Book borrowed called central chapter circulation conception correction course created creative criticism Cyclops defined dream Dublin Ellmann English epic errors especially essay example execution eyes fact figure final flowers force hand human imagination influence inspiration Ireland Irish James Joyce Joyce's king language largely later letter linguistic literary London Lost Mangan metaphor Milton mind move muse narrator nationalist nature notes novel oppositions original Paradise parallel period play poem poet poetic political Portrait present principle produced Proteus punishment relation rhetorical rose says Scylla and Charybdis sense sexual Shakespeare signified Sirens song sound space speech Stephen structure takes things thinks Ulysses units University Press voice weaving writing written Yeats York young