Shakespeare's Dramatic Challenge: On the Rise of Shakespeare's Tragic HeroesFirst published in 2002. This is the Volume III of the five G. Wilson Knight collected works series and focuses on Shakespeare’s tragic heroes for his early to later tragedies or Timon of Athens, Anthony and Cleopatra and Coriolanus. This book has grown from Knight’s dramatic recital 'Shakespeare's Dramatic Challenge', and therefore includes a prefatory note on his stage experience. The complete record, with illustrations, has already been documented in Shakespearian Production (enlarged 1964), but a rather more personal account is offered here. |
From inside the book
Results 1-5 of 21
Page
CONTENTS Preface Foreword Part 1: The Heroes Discussed 1 Introduction 2 Early Tragedy 3 On Poetic Acting 4 Transition 5 The Famous Tragedies 6 Timon of Athens 7 The Last Phase Part 2: The Performances Appendix: Granville-Barker and ...
CONTENTS Preface Foreword Part 1: The Heroes Discussed 1 Introduction 2 Early Tragedy 3 On Poetic Acting 4 Transition 5 The Famous Tragedies 6 Timon of Athens 7 The Last Phase Part 2: The Performances Appendix: Granville-Barker and ...
Page
Preface I record my gratitude to the Times Literary Supplement, which first printed the essay on Granville-Barker used in my Appendix; to Professor Henri Suhamy, for my use of his valuable paragraph on Julius Caesar; ...
Preface I record my gratitude to the Times Literary Supplement, which first printed the essay on Granville-Barker used in my Appendix; to Professor Henri Suhamy, for my use of his valuable paragraph on Julius Caesar; ...
Page
... and in particular those of Beerbohm Tree and Granville-Barker: I have written of them in Shakespearian Production. I did not get an opportunity to act myself until I went to Cheltenham to teach at Dean Close School in 1925.
... and in particular those of Beerbohm Tree and Granville-Barker: I have written of them in Shakespearian Production. I did not get an opportunity to act myself until I went to Cheltenham to teach at Dean Close School in 1925.
Page
My commentaries have always been characterised by exploitation of what Nietzsche calls the 'Dionysian' element in drama; far more so, by the way, than were Granville-Barker's Prefaces. I made some attempt to define the relation of these ...
My commentaries have always been characterised by exploitation of what Nietzsche calls the 'Dionysian' element in drama; far more so, by the way, than were Granville-Barker's Prefaces. I made some attempt to define the relation of these ...
Page
The late C.B. Purdom, biographer of Granville-Barker, wrote to me: 'You attempted a task such as not even the greatest actors have tried, and you succeeded through sheer intellectual force and physical courage.
The late C.B. Purdom, biographer of Granville-Barker, wrote to me: 'You attempted a task such as not even the greatest actors have tried, and you succeeded through sheer intellectual force and physical courage.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Shakespeare's Dramatic Challenge: On the Rise of Shakespeare's Tragic Heroes George Wilson Knight No preview available - 1977 |
Common terms and phrases
acting action actor addresses advance appears aware Barker becomes better blood body character comes courage death dramatic earth effect evil existence experience expression eyes fall fear feel final fire follows friends gesture give given gods gold Hamlet hand hath head hear heart heaven Henry heroes human imaginative important killed King Knight later Lear less light lines live look Macbeth magic means mind murder nature needed never once Othello performance perhaps play poetic poetry present Production reading recital regarded Richard rise Romeo scene sense Shakespeare Shakespearian sleep soliloquy soul speaks speech spoken stage story suffering suggests Theatre thee things thou thought Timon of Athens Titus tragedy tragic tragic heroes Tree true truth turn University usual voice whole writing