ODE IV. TO THE PUBLIC. WHAT shallow youth, at the bottom of Helicon, Barren in judgment? How often thy fickleness Nothing of warmth in thy greeting, Who with thy blandishments feeds his credulity, Had never a brain's direction. Wo, where it falls overvalu'd! My verses, which Waltz not like SHELLEY'S, nor trudge with the Wagoner(1), Show thee what estimation I put on thy approbation. equally love to lose themselves in the mazes of the latter. Yet was SHELLEY, be it observed, the author of the Cenci, which, if you except the blemish of the Song in Act V., has, as an English tragedy, no modern rival in dramatic diction, and I know not whether in any other of the dramatic requisites; and the same gave to the world the drama of Prometheus Unbound, which, less faultless in style, especially towards the close, is as a whole a work of extra LIB. I. 22. AD ARISTIUM FUSCUM. INTEGER vitæ, scelerisque purus, Sive per Syrtes iter æstuosas, Namque me silva lupus in Sabina, Fugit inermem : Quale portentum neque militaris Nec JUBÆ tellus generat, leonum ordinary genius and of exceeding beauty, opening with a sublimity that almost makes us think we are reading Æschylus. Mr. WORDSWORTH has not the faults of SHELLEY, proceeding from an over-luxuriance of imagination, disdaining rule; and he may be read throughout with more patience, as, though not unfrequently far from perspicuous, his tame prosaic language does not bewilder the brain, or cloy with profusion of sweets the intellectual palate; but he has never written any thing that may be compared for ex ODE V. TO ANYBODY. He that acts wisely, wronging nothing living, Though through the wilds of FLORIDA he journey, For in the groves of SNS at HOBOKEN, A dog H-LE himself had driven from his house-door, Such a huge beast as never yet NEWFOUNDLAND cellence with either the Cenci or Prometheus, while the former of these dramas is singly worth the whole of Mr. WORDSWORTH'S works, all put together. "Of the two extremes," says POPE, "one would rather pardon phrenzy than frigidity." SHAKSPEARE and DRYDEN both abound in extravagancies, and have quite as much, in quantity, of bombast as of sublimity; but who would look in either of those immortal poets for examples of the frigid in writing? SWIFT drew his from one Sir Richard Blackmore. Pone me pigris ubi nulla campis Quod latus mundi nebulæ, malusque Pone sub curru nimium propinqui LIB. I. 26. AD ELIUM LAMIAM. MUSIS amicus, tristitiam et metus Quid Tiridatem terreat, unice Securus. O quæ fontibus integris Gaudes, apricos necte flores, Necte meo Lamiæ coronam, (1) An ode from Horace is dedicated with peculiar propriety to Professor AN, who has lately given his labors as a commentator to the illustration of this favorite classic. His edition of the great lyrical and moral poet I have not seen; but I can easily conjecture what must be its value, coming, as it does, from the Place me in the Alpine barrens of the reindeer, Where the swart carl sleeps naked 'neath his sheepskin, Shines not the sun for weeks, and Heaven's thunder Rolls in midwinter ; Place me in sands where pants the long-breath'd camel, Where for whole days no shrub is seen nor fountain, Still will I love my CHLORIS' spoken music, And her laugh's dimples. ODE VI. TO CH- -S AN. (1) To song now wedded, doubt and disquietude The White House shelters, so that the Eagle still Twine me for A- -N a fadeless garland. desk of one whose solid yet elegant talents and varied erudition are equalled by his unremitting industry. To no AMERICAN are the schools and colleges of our country so much indebted in polite learning as to Dr. A -N. |