Poets in the Public Sphere: The Emancipatory Project of American Women's Poetry, 1800-1900

Front Cover
Princeton University Press, Apr 6, 2003 - Literary Criticism - 264 pages

Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern.


Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Poetry in the Public Sphere
1
Literary Sentimentality and the Genteel Lyric
17
High Sentimentality and the Politics of Reform
40
The Politics and Poetics of Difference
62
Harper Parnell Lazarus and Johnson
86
Domestic Gothic and Sentimental Parody
113
Ironys Edge Sarah Piatt and the Postbellum Speaker
135
Sex Sexualities and Female Erotic Discourse
159
Making It New in the Fin de Siede
181
After 1910
205
Notes
217
Index
253
Copyright

Other editions - View all

Common terms and phrases

About the author (2003)

Paula Bernat Bennett is Professor of English at Southern Illinois University, Carbondale. The editor of several books, including Nineteenth-Century American Women Poets, she is the author of My Life a Loaded Gun and Emily Dickinson: Woman Poet.

Bibliographic information