Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 28Gale Research Company, 1984 |
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Page 255
... Roman em- press - leads to a rebirth of just those familial and civic bonds which he has so spectacularly violated . Humanly appealing yet inevitably ' confusing ' , all Shakespearean moors inherit Aaron's paradox . 2 Creative worlds ...
... Roman em- press - leads to a rebirth of just those familial and civic bonds which he has so spectacularly violated . Humanly appealing yet inevitably ' confusing ' , all Shakespearean moors inherit Aaron's paradox . 2 Creative worlds ...
Page 259
... Roman code and hence unknowable . One appropri- ates the exotic only by moving outside of one's code . Nor can the exotic ever be displaced or decoded without ceas- ing to be truly exotic . The deeper point of the joke may pass ...
... Roman code and hence unknowable . One appropri- ates the exotic only by moving outside of one's code . Nor can the exotic ever be displaced or decoded without ceas- ing to be truly exotic . The deeper point of the joke may pass ...
Page 424
... Roman values , conflict between 6 : 31 , 33 , 43 , 53 , 104 , 111 , 115 , 125 , 142 , 155 , 159 , 178 , 181 , 211 , 219 ; 17 : 48 ; 19 : 270 ; 27 : 82 , 121 , 126 ; 28 : 249 Elizabethan staging 17 : 104 , 110 Enobarbus 6 : 22 , 23 , 27 ...
... Roman values , conflict between 6 : 31 , 33 , 43 , 53 , 104 , 111 , 115 , 125 , 142 , 155 , 159 , 178 , 181 , 211 , 219 ; 17 : 48 ; 19 : 270 ; 27 : 82 , 121 , 126 ; 28 : 249 Elizabethan staging 17 : 104 , 110 Enobarbus 6 : 22 , 23 , 27 ...
Contents
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York