The Works of Lord Byron: With His Letters and Journals,John Murray, Albemarles Street., 1832 |
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Page 45
... Constantine , are inconsiderable ; for the removal of the statues of bronze , and marble , and ivory , could not greatly affect the general ap- LXIII . Of thee hereafter.- Ev'n amidst my strain I CANTO I. 45 PILGRIMAGE .
... Constantine , are inconsiderable ; for the removal of the statues of bronze , and marble , and ivory , could not greatly affect the general ap- LXIII . Of thee hereafter.- Ev'n amidst my strain I CANTO I. 45 PILGRIMAGE .
Page 199
... . VI . ( 6 ) That is , the Lion of St. Mark , the standard of the republic , which is the origin of the word Pantaloon - Piantaleone , Pantaleon , Pantaloon . XV . Statues of glass — all shiver'd the long 0 4 CANTO IV . 199 PILGRIMAGE .
... . VI . ( 6 ) That is , the Lion of St. Mark , the standard of the republic , which is the origin of the word Pantaloon - Piantaleone , Pantaleon , Pantaloon . XV . Statues of glass — all shiver'd the long 0 4 CANTO IV . 199 PILGRIMAGE .
Page 200
... Statues of glass — all shiver'd the long file Of her dead Doges are declined to dust ; But where they dwelt , the vast and sumptuous pile Bespeaks the pageant of their splendid trust ; Their sceptre broken , and their sword in rust ...
... Statues of glass — all shiver'd the long file Of her dead Doges are declined to dust ; But where they dwelt , the vast and sumptuous pile Bespeaks the pageant of their splendid trust ; Their sceptre broken , and their sword in rust ...
Page 214
... statues at Florence , and afterwards at Rome , is such as might have been expected from any great poet , whose youthful mind had , like his , been imbued with those classical ideas and associations which afford so many sources of ...
... statues at Florence , and afterwards at Rome , is such as might have been expected from any great poet , whose youthful mind had , like his , been imbued with those classical ideas and associations which afford so many sources of ...
Page 215
... statue's form , and look like gods below . LIII . I leave to learned fingers , and wise hands , The artist and his ape ( 1 ) , to teach and tell How well his connoisseurship understands The graceful bend , and the voluptuous swell : Let ...
... statue's form , and look like gods below . LIII . I leave to learned fingers , and wise hands , The artist and his ape ( 1 ) , to teach and tell How well his connoisseurship understands The graceful bend , and the voluptuous swell : Let ...
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Albanians Ali Pacha amongst ancient Ariosto Athens beauty behold beneath better blood Boccaccio bosom breast breath brow Cæsar called Canto charms Childe Harold CHILDE HAROLD'S PILGRIMAGE church Cicero Constantinople dark death deem'd deep doth dust earth Egeria fair fame feel Ficus Ruminalis Florence foes French gaze glory gondoliers Greece Greek hand hath heart Heaven hills Historical Notes Hobhouse honour hope hour immortal Italian Italy Julius Cæsar lake land less light Lord Byron maid mind mortal mountains ne'er never o'er once Pacha palace pass passion Petrarch plain poet Pouqueville rock Roman Rome ruins says scene seems seen shore sigh smile song soul spirit spot Stanza Tasso tears temple thee thine things thou thought tomb traveller Turks valley Venetians Venice VIII walls waves wild woes wolf words