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THE ETHICS OF CRITICISM e
Two MoDERN PLAYs on SHAKESPEARE
CHRISTOPHER MARLowe As A PoET
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Anne appeal beauty Book Browning called century character close considered criticism Dark dead death describes direct drama dramatist earlier edition Edward elegy Elizabeth emotion English enters example expression eyes face fear feeling force former genius give given greatest hand heart Henry Henslowe Holinshed human imagination important interest Italy King lack Lady lament latter leave less lines live London look Lyrics Marlowe Mary memory mentioned mind Nature never night opening passage passing passion Pauline perhaps picture play poem poet poet’s poetry present probably Queen reader Richard says scene Shakespeare sincere song soul spirit stanzas story tells thee thou thought tion touch tragedy true truth verse vision voice Wols writer