That perfect mirror of pure innocence Who made all lovely thou didst look upon- sister, To hear I have no sister; and thou, mother, Enter CAMILLO and Guards They come! Let me Kiss those warm lips before their crimson leaves Are blighted-white-cold. Say farewell, before Death chokes that gentle voice! Oh, let me hear You speak! BEATRICE Farewell, my tender brother. Think Of our sad fate with gentleness, as now; And let mild, pitying thoughts lighten for thee child; For thine own sake be constant to the love Thou bearest us; and to the faith that I, Though wrapped in a strange cloud of crime and shame, Lived ever holy and unstained. And though 136 was as a, Rossetti || was a, Shelley, 1819, 1821. Of those who perhaps love thee in their graves. BERNARDO I cannot say farewell! CAMILLO O Lady Beatrice! BEATRICE Give yourself no unnecessary pain, My dear Lord Cardinal. Here, mother, tie And yours I see is coming down. How often The Mask of Anarchy was published, with Shelley's name, at London, in 1832, under the imprint of Bradbury and Evans, for Edward Moxon. The volume was edited by Leigh Hunt. The poem had been composed in the fall of 1819, soon after the riot at Manchester on August 16, toward the close of Shelley's residence at the Villa Valvasano, near Leghorn, or during his stay at Florence. It was sent to Hunt for insertion in the Examiner, but its publication at that time was deemed inexpedient by him. The MS. sent to Hunt, in the hand of Mrs. Shelley, with corrections in Shelley's hand, is in the possession of Mr. Townshend Mayer, and has been carefully described by Forman. It affords several variations from Hunt's text. A MS. in Shelley's hand, given by Mrs. Shelley to Sir John Bowring in 1826, of which a facsimile was published by the Shelley Society in 1887, is the authority for the text. The original is in the possession of Mr. Thomas J. Wise. Mrs. Shelley, in her editions of 1839, differs from both MSS. and the Hunt text. |