The Merchant of Venice |
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Page 15
... effective ; and who is arguably a merchant , though rather less arguably , a Venetian . There is , however , no doubt at all that Antonio is A Merchant of Venice ; and I think that he is the merchant who gives the play its title . He is ...
... effective ; and who is arguably a merchant , though rather less arguably , a Venetian . There is , however , no doubt at all that Antonio is A Merchant of Venice ; and I think that he is the merchant who gives the play its title . He is ...
Page 25
... effective . To make the most of the scene for Shylock , Tubal must ' feed ' the lines in such a way that Shylock can react with alternating extremes of delight and despair . It is not easy to do this without suggesting that Tubal is ...
... effective . To make the most of the scene for Shylock , Tubal must ' feed ' the lines in such a way that Shylock can react with alternating extremes of delight and despair . It is not easy to do this without suggesting that Tubal is ...
Page 29
... effective and prominent position . Theatrically , the Duke is comparatively unimportant ; his dress , the deferential demeanour of all towards him , and an impressive processional entrance and exit will sufficiently establish him as a ...
... effective and prominent position . Theatrically , the Duke is comparatively unimportant ; his dress , the deferential demeanour of all towards him , and an impressive processional entrance and exit will sufficiently establish him as a ...
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Common terms and phrases
actors Arragon audience bag-pipe Bellario Belmont blood bond break casket choose chooseth Christian Colchis comes court curtain daughter deserves devil DOCTOR DOCTOR'S CLERK doth Duke Elizabethan Theatre eyes fair Fair ladies father fear fool forfeit fortune gentle gentleman give gold GRATIANO hand hast hath hear heart heaven honour husband Illyria Jew's Jew's house judge Julius Cæsar justice lady Launcelot Gobbo leave letter look lord Bassanio madam Master Launcelot means Merchant of Venice mercy merry mind mistress Morocco never Nicholas Rowe night oath Padua peize play Portia's servants pray thee Prince Proscenium ring Salanio and Salarino Salerio SCENE 12 ACT SCENE 14 ACT Shakespeare shalt SHYLOCK sola soul speak spirit stage stand STEPHANO suitors swear sweet tell thing thou Three thousand ducats to-night Tripolis Tubal unto Venetian wife words young younker