Who say this world of thinking souls were made To be by Kings partition'd, truck'd, and weigh'd In Scales that, ever since the world begun, Who, proud to kiss each separate rod of power, Bless, while he reigns, the minion of the hour; Worship each would-be God, that o'er them moves, And take the thundering of his brass for JOVE'S! If this be wisdom, then farewell my books, Farewell, ye shrines of old, ye classic books, Which fed my soul with currents, pure and fair, Of living Truth, that now must stagnate there! Instead of themes that touch the lyre with light, Instead of Greece, and her immortal fight, And, 'stead of ARISTIDES-woe the day Here break we off, at this unhallowed name, Like priests of old, when words ill omen'd came. My next shall tell thee, bitterly shall tell, To leave still hid and burning were they are ! LETTER V. FROM MISS BIDDY FUDGE TO MISS DOROTHY-T WHAT a time since I wrote!-I'm a sad, naughty girl Though, like a tee-totum, I'm all in a twirl, Yet ev❜n (as you wittily say) a tee-totum Between all its twirls gives a letter to note 'em. But, Lord, such a place! and then DOLLY, my dresses, My gowns, so divine!-there's no language expresses, Except just the two words, "superbe," "magnifique," The trimmings of that which I had home last week! It is called-I forget-à la—something which sounded Like alicampane-but, in truth, I'm confounded And bother'd, my dear, 'twixt that troublesome boy's (BOB's) Cookery language, and Madame LE Ror's: What with fillets of roses, and fillets of veal, Things garni with lace, and things garni with eel, One's hair and one's cutlets both en papillote, And a thousand more things I shall ne'er have by rote, I can scarce tell the diff'rence, at least as to phrase, Between beef à la Psyché and curls à la braise. But, in short, dear, I'm trick'd out quite à la Française, With my bonnet-so beautiful!-high up and poking, Like things that are put to keep chimnies from smoking. Where shall I begin with the endless delights Of this Eden of milliners, monkies, and sightsThis dear busy place, where there's nothing transacting [acting? But dressing and dinnering, dancing and Imprimis, the Opera-mercy, my ears! Brother BOBBY's remark, t'other night, was a true one; "This must be the music," said he, "of the 66 spears, "For I'm curst if each note of it doesn't run "C through one!" Pa says (and you know, love, his Book's to make out 'Twas the Jacobins brought every mischief about) That this passion for roaring has come in of late, Since the rabble all tried for a voice in the State.- What a frightful idea, one's mind to o'erwhelm! What a chorus, dear DOLLY, would soon be let loose of it, If, when of age, every man in the realm Had a voice like old LAïs,* and choose to make use of it! No-never was known in this riotous sphere Such a breach of the peace as their singing, my dear. cholic ! So bad too, you'd swear that the God of both arts, Papa. *The oldest, most celebrated, and most noisy of the singers at the French Opera, Fly, fly to TITANIA, and ask her if she has One light-footed nymph in her train that can dance Like divine BIGOTTINI and sweet FANNY BIAS! FANNY BIAS in FLORA-dear creature!you'd swear When her delicate feet in the dance twinkle round, That her steps are of light, that her home is the air, And she only par complaisance touches the ground. And when BIGOTTINI in PSYCHE dishevels Her black flowing hair, and by dæmons is driven, Oh! who does not envy those rude little devils, That hold her and hug her, and keep her from heaven! Then, the music-so softly it cadences die, To make love to me then-you've a soul, and The next place (which BOBBY has near lost his heart in) They call it the Play-house-I think—of SaintMartin ;* The Theatre de la Porte St. Martin, which was built when the Opera House in the Palais Royal wab |