Brick and marble in the middle ages: notes of a tour in the north of Italy |
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Page xxi
... Lake of Riva - Colico - Gravidona - Lake of Como- Varenna Stelvio Pass - Castle of Malpaga - Lecco - Bergamo : Broletto - Churches CHAPTER V. Palazzuolo - Coccaglio - Brescia : new and old Cathedrals - Broletto- Churches - Donato ...
... Lake of Riva - Colico - Gravidona - Lake of Como- Varenna Stelvio Pass - Castle of Malpaga - Lecco - Bergamo : Broletto - Churches CHAPTER V. Palazzuolo - Coccaglio - Brescia : new and old Cathedrals - Broletto- Churches - Donato ...
Page xxiii
... Lake of Varese - Italian Boatmen — Intra — Laveno - Lago Maggiore — Magadino- Road to Hos- ---- - penthal -The Dazio Grande - Airolo the Furca - Hospenthal - Ascent of -Valley of the Reuss - Lake of Luzern - Luzern - The Unter ...
... Lake of Varese - Italian Boatmen — Intra — Laveno - Lago Maggiore — Magadino- Road to Hos- ---- - penthal -The Dazio Grande - Airolo the Furca - Hospenthal - Ascent of -Valley of the Reuss - Lake of Luzern - Luzern - The Unter ...
Page xxv
... Lake of Zürich 22 Wooden spire , Ragatz 32 3. Interior of Cathedral , Chur to face 33 Gravidona , ground - plan of Bap- tistery 48 4. Gravidona , the Baptistery to face 48 5. The Broletto , Bergamo Campanile , Bergamo 19 6. Malpaga ...
... Lake of Zürich 22 Wooden spire , Ragatz 32 3. Interior of Cathedral , Chur to face 33 Gravidona , ground - plan of Bap- tistery 48 4. Gravidona , the Baptistery to face 48 5. The Broletto , Bergamo Campanile , Bergamo 19 6. Malpaga ...
Page 2
... Lake of Constance , the Vorarlberg , and the Vintschgau to Botzen ; the next by the Brenner pass as far as Franzensfeste , and thence by the Ampezzo pass through Cortina and Cadore - Titian's country -to Conegliano , and so by railway ...
... Lake of Constance , the Vorarlberg , and the Vintschgau to Botzen ; the next by the Brenner pass as far as Franzensfeste , and thence by the Ampezzo pass through Cortina and Cadore - Titian's country -to Conegliano , and so by railway ...
Page 13
... Lake Constance and Schaff- hausen , and of the beautiful valley of the Upper Rhine , and of the lakes of Wallenstadt , Lucerne , Brienz , and Thun-- every one of which seems to the mind's eye to be re- presented and brought near by each ...
... Lake Constance and Schaff- hausen , and of the beautiful valley of the Upper Rhine , and of the lakes of Wallenstadt , Lucerne , Brienz , and Thun-- every one of which seems to the mind's eye to be re- presented and brought near by each ...
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Common terms and phrases
admire aisles altar Anastasia angle apse arcades architect architecture arrangement artists balconies baptistery bays beautiful Bergamo Brescia brick brickwork Broletto building built Byzantine campanile canal capitals carved cathedral centre chapels character choir church circular window clerestory cloister colour columns construction corbelled cornice Cremona crypt cusped delicate detail divided doorway Ducal Palace Duomo early east effect example figures finished flat foliage fourteenth century gable Gothic grand groining height houses Innichen interest interior Italian Italy kind light lofty look Mantua marble Mark's mediæval modern monuments mouldings mountains nave Nicola Pisano ogee ornament Padua painted Palazzo panels Piazza picturesque pilasters pointed arches Romanesque roof round San Zenone sculpture seen shafts shew side simple south transept Splügen square steeple stone string-courses Torcello tower tracery transept trefoiled tympanum upper stage Venetian Venice Verona Vicenza walls west front whilst white marble whole
Popular passages
Page 286 - In the elder days of Art, Builders -wrought with greatest care Each minute and unseen part ; For the gods see everywhere.
Page 98 - ... masses of their companions. " The monuments are all to the members of one family — the Scaligeri — who seem to have risen to power in the thirteenth century, and to have held sway in Verona until almost the end of the fourteenth. In this space of time it was, therefore, that these monuments were erected, and they are consequently of singular interest, not only for the excessive beauty of the group of marble and stone which, in the busiest highway of the city, among tall houses and crowds...
Page 149 - And the stately ships go on To their haven under the hill ; But O for the touch of a vanish'd hand, And the sound of a voice that is still ! Break, break, break, At the foot of thy crags, O Sea ! But the tender grace of a day that is dead Will never come back to uie.
Page 44 - That turbulent Chaos; and the promised land Lies at my feet in all its loveliness! To him who starts up from a terrible dream, And lo the sun is shining, and the lark Singing aloud for joy, to him is not Such sudden ravishment as now I feel At the first glimpses of fair Italy.
Page 1 - Wild wind ! I seek a warmer sky, And I will see before I die The palms and temples of the South.
Page 303 - ... carried on coupled shafts above. The cathedral is said to have been founded in 1099, but an inscription on the south wall gives the date of the consecration of the building by Pope Lucius III., in July 1184. I believe that the former date represents the age of the plan, and of most of the interior columns and arches still remaining, but that before the later date the whole exterior of the cathedral had been modified, and the groining added inside. The work of both periods is extremely good and...
Page 316 - Brick and Marble in the Middle Ages," says : " If it be indeed true that it was designed by a German, there is on the outside even more cause for astonishment at his work than if it had been done by an Italian. The west front is quite modern, but the rest of the exterior is as little German in its character as any building I have ever seen, and — shall I add it ? — as little really grand as a work of art. I had just caught a glimpse of its general outline and effect by the bright moonlight, and...
Page 400 - The Venetian mode was rather likely to be destructive of good architecture, because it was sure to end in an entire concealment of the real construction of the work ; the other mode, on the contrary, proceeded on true principles, and took pleasure in defining most carefully every line in the construction of the work.
Page 400 - The task, therefore, and duty of architects at the present day is mainly that of awakening and then satisfying this feeling ; and one of the best and most ready vehicles for doing this exists, no doubt, in the rich-coloured brick so easily manufactured in this country, which, if properly used, may become so effective and admirable a material.
Page 154 - It is quite in vain to describe this architecturally. The colour is so magnificent that one troubles oneself but little about the architecture, and thinks only of gazing upon the expanse of gold and deep rich colour all harmonised together into one glorious whole.