"I may not evermore acknowledge thee, Lest my bewailed guilt should do thee shame, Unless thou take that honor from thy name; To see his active child do deeds of youth, I make my love engrafted to this store. And by a part of all thy glory live." In 1590 Shaksper was part owner of a theater. In 1590 Bacon obtained his first show of favor from the court; he became Queen's counsel extraordinary, but the office was without emolument. At this time plays for the theater were written and rewritten again and again to meet the demand. Young lawyers and poets produced them rapidly. Each theatrical company kept from one to four poets in its pay (Amer. Cyc.) Shaksper appeared to be ready to father anything that promised success, and there are at least six plays published under his name or initials which most critics say are not his, nor have they ever appeared in the genuine canon. In 1591 a poem by Spenser was published containing these lines: "And he, the man whom Nature's self has made To mock herself and truth to imitate, With kindly counter under mimic shade, Our pleasant Willy, ah, is dead of late : With whom all joy and jolly merriment London in 1596 From 1590 until Shaksper retired from the stage, how could it be said that he was "poor," bewailing his "outcast state” and “cursing his fate?" But it is certain that Bacon's condition answered precisely to that description up to November, 1594, when Essex gave him an estate worth £1,800; aye, even until 1604, when King James granted him a pension of £60; if not even up to 1607. Mark now the modesty of the poet in 1590: "If thou survive my well contented day, When that churl Death with bones my dust shall cover, And shalt by fortune once more resurvey These poor rude lines of thy deceased lover, And though they be outstripp'd by every pen, "My name be buried where my body is, And live no more to shame nor me nor you, We have already quoted a verse from Spenser in Upon the lute doth ravish human sense; As, passing all conceit, needs no defense." This verse is in "The Passionate Pilgrim," the first two numbers of which are Sonnets 138 and 144 with slight variations. John Dowland, a musician, was born in 1562 and died 1625. Spenser was eight years older than Bacon. But coupled with this modesty of the author of the 'Sonnets," note how he praises his friend and how. famous that friend appears at the time: 66 'Oh, how I faint when I of you do write, Knowing a better spirit doth use your name, On your broad main doth wilfully appear; He of tall building and of goodly pride; Then if he thrive and I be cast away, The worst was this: my love was my decay." The other superior (?) poet referred to is undoubtedly Spenser, among whose "Sonnets, addressed by the author to his friends and patrons," in January, 1590, is one 66 To the most honorable and excellent Lord the Earl of Essex, great master of the horse to her highness, and knight of the noble order of the garter, etc.” Essex became master of the horse in 1587, and knight of the garter in 1588. We proceed with the quotations from the Shaksperian Sonnets: "Or I shall live your epitaph to make, Or you survive when I in earth am rotten, From hence your memory death cannot take, Although in me each part will be forgotten. Your name from hence immortal life shall have, ancis The earth can yield me but a common grave, Bar Ba Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read, с When all the breathers of this world are dead; Where breath most breathes, even in the mouths of men." And yet it may be said I loved her dearly; A loss in love that touches me more nearly. Thou dost love her, because thou know'st I love her, Suffering my friend for my sake to approve her. If I lose thee, my loss is my love's gain, And losing her, my friend hath found that loss; And both for my sake lay me on this cross : The second part of the "Sonnets," after 126, is addressed to the Earl's bethrothed; we quote Sonnet 134: "So now I have confessed that he is thine, And I myself am mortgaged to thy will, Thou wilt restore, to be my comfort still; Thou usurer that put'st forth all to use, Incidentally it may be noted how familiar the writer of the above lines must have been with the practice of law. Shakspere's legal knowledge has amazed the lawyers. The next Sonnet introduces the name of " Will," and puns upon it profusely: "Whoever hath her wish thou hast thy Will, And Will to boot, and Will in overplus; And in my will no fair acceptance shine? And in abundance addeth to his store: So thou being rich in Will add to thy Will One will of mine, to make thy large Will more. Think all but one, and me in that one Will.” How preposterous to believe that a common-place gate-buten play actor, with a wife and children, addressed such sentiments to the bride of his dearest friend! At no time do the sentiments or circumstances of the poem fit the person of the actor, of whom the dying and dissipated playwright, Greene, wrote in 1592: * One of Bacon'? "There is an upstart crow beautified with our feathers that with his Tygers heart, wrapt in a player's hide, supposes he is as well able to bumbast out a blank verse as the best of you; and being an absolute Johannes factotum, is, in his owne conceyt, the onely Shake-scene in a countrie." But, on the other hand, frequent evidence appears that Bacon, up to the time he was made AttorneyGeneral in 1613, was constantly engaged in secret literary work. But not so secret as to be unknown mashas |