time." Overtures of this kind are, of course, only made to persons who are believed to be open to them. It is plain from his own account that Wither was thus early notorious as a speculator or trader in such securities-as one ready, not precisely to sell himself, his opinions, and his conscience, to the highest bidder, but yet to be gained over if the offer were only made large enough to convert as well as purchase him. There is a great deal of very passable wearing and working honesty of this kind in the world. The history of Wither's numerous publications has been elaborately investigated by the late Mr. Park in the first and second volumes of the British Bibliographer; many of his poems have been reprinted by Sir Egerton Brydges, and others of his admirers; and an ample account of his life and writings, drawn up with a large and intimate knowledge, as well as affectionate zeal and painstaking, which make it supersede whatever had been previously written on the subject, forms the principal article (extending over more than 130 pages) of Mr. Wilmott's Lives of Sacred Poets (8vo. Lon. 1834). Much injustice, however, has been done to Wither by the hasty judgment that has commonly been passed, even by his greatest admirers, upon his later political poetry, as if it consisted of mere party invective and fury, and all that he had written of any enduring value or interest was to be found in the productions of the early part of his life. Some at least of his political pieces are very remarkable for their vigour and terseness. As a specimen we will give a portion of a poem which he published without his name in 1647, under the title of "Amygdala Britannica; Almonds for Parrots; a dish of Stone-fruit, partly shelled and partly unshelled; which, if cracked, picked, and well digested, may be wholesome against those epidemic distempers of the brain now predominant, and prevent some malignant diseases likely to ensue: composed heretofore by a wellknown modern author, and now published according to a copy found written with his own hand. Qui bene latuit bene vixit." This fantastic title-page (with the manufacture of which the bookseller may have had more to do than Wither himself) was suited to the popular taste of the day, but would little lead a modern reader to expect the nervous concentration and passionate earnestness of such verses as the following: The time draws near, and hasteth on, And prosecutions, whereon shall As A time draws nigh in which you may you shall please the chess-men play; A time draws nigh in which the sun And many stars now seeming dull A time draws nigh when with your blood Your mischief who did them revive. The honourable by the base The fool preferred before the wise; A time will come when see you shall When men shall generally confess By judgments or by mercies, moved: Ere God his wrath on Balaam wreaks, Neither Churchhill nor Cowper ever wrote anything in the same style better than this. The modern air, too, of the whole, with the exception of a few words, is wonderful. But this, as we have said, is the character of all Wither's poetry—of his earliest as well as of his latest. It is nowhere more conspicuous than in his early religious verses, especially in his collection entitled Songs and Hymns of the Church, first published in 1624. There is nothing of the kind in the language more perfectly beautiful than some of these. We subjoin two of them : Thanksgiving for Seasonable Weather. Song 85. Lord, should the sun, the clouds, the wind, The air, and seasons be To us so froward and unkind As we are false to thee; All fruits would quite away be burned, Or lie in water drowned, Or blasted be or overturned, But from our duty though we swerve, No sooner we to cry begin But pity we obtain. The weather now thou changed hast That put us late to fear, And when our hopes were almost past Then comfort did appear. The heaven the earth's complaints hath heard; They reconciled be; And thou such weather hast prepared As we desired of thee. For which, with lifted hands and eyes, To thee we do repay The due and willing sacrifice Of giving thanks to-day; Because such offerings we should not To render thee be slow, Nor let that mercy be forgot Which thou art pleased to show. Thanksgiving for Victory. Song 88. Of those that sought our causeless harm: Thou art our life, our triumph-song, And thou the God of Armies art. We must confess it is thy power That made us masters of the field; With fury came our armed foes, To blood and slaughter fiercely bent; By whatsoever way we went; That, hadst not thou our Captain been, We on the place had dead been seen, Or masked in blood and wounds had lain. This song we therefore sing to thee, And pray that thou for evermore BROWNE. Along with Wither ought to be mentioned a contemporary poet of a genius, or at least of a manner, in some respects kindred to his, and whose fate it has been to experience the same long neglect, William Browne, the author of Britannia's Pastorals, of which the first part was published in 1613, the second in 1616, and of The Shepherd's Pipe in Seven Eclogues, which appeared in 1614. Browne was a native of Tavistock in Devonshire, where he was born in 1590, and he is supposed to have died in 1645. It is remarkable that, if he lived to so late a date, he should not have written more than he appears to have |