Yet had the number of her days Her high birth, and her graces sweet, But with a scarce well-lighted flame; So have I seen some tender slip, Gentle lady, may thy grave Peace and quiet ever have; Sweet rest seize thee evermore, That, to give the world increase, 22. Cypress bud: An emblem of a funeral, called by Horace funebris, and by Spenser "the cypress funeral." 28. Atropos, the fate who presided over death. Sent thee from the banks of Came, Devoted to thy virtuous name; Whilst thou, bright saint, high sit'st in glory, Next her, much like to thee in story, That fair Syrian shepherdess, Who, after years of barrenness, SONG ON MAY MORNING.* Now the bright morning-star, day's harbinger, * This beautiful little song presents an eminent proof of Milton's attention to the effect of metre, in that admirable change of numbers with which he describes the appearance of the May Morning, and salutes her after she has appeared; as different as the subject is, and produced by the transition from iambics to trochaics. So in "L'Allegro," he banishes Melancholy in iambics, but invites Euphrosyne and her attendants in trochaics.-TODD. 59. Banks of Came: The Camus anglicised. See "Lycidas," 103. "I have been told that there was a Cambridge-collection of verses on her death, among which Milton's elegiack ode first appeared."-T. WARTON. 63. Syrian shepherdess: Rachel. Gen. Xxx. 22, 23. 68. Through pangs, &c. We cannot tou much admire the beauty of this line: I wish it had closed the poem, which it would have done with singular effect. What follows serves only to weaken it, and the last verse is an eminent instance of the bathos.-DUNSTER. MISCELLANIES. ANNO ÆTATIS XIX. At a VACATION EXERCISE* in the College, part Latin, part English. HAIL, native Language, that by sinews weak Small loss it is that thence can come unto thee; The daintiest dishes shall be served up last. For this same small neglect that I have made: 10 15 20 * Written in 1627. The "Verses at a Vacation Exercise in College,” are full of ingenuity and imagery, and have several fine passages; but, though they blame "new-fangled toys" with a noble disdain, they are themselves in many parts too fantastic.-BRYDGES. 19. Not those new-fangled toys, &c. | Perhaps he here alludes to Lilly's "Euphues," a book full of affected phraseology, which pretended to reform or refine the English language. The ladies and the courtiers were all instructed in this new style, and it was esteemed a mark of ignorance or unpoliteness not to understand Euphuism. 21. But cull, &c. From a youth of nineteen these are striking expressions of a consciousness of superior genius, and of an ambition to rise above the level of the fashionable rhymers. At so early an age Milton began to conceive a contempt for the poetry in vogue; and this he seems to have retained to the last. In the "Tractate on Education," recommending to his pupils the study of good critics, he adds, "This would make them soon perceive what despicable creatures our common rhymers and play-writers be; and show what religious, what glorious, what magnificent use might be made of poetry." Milton's own writings are the most illustrious proof of this.—T. WARTON. I have some naked thoughts that rove about, How he before the thunderous throne doth lie, To the touch of golden wires, while Hebe brings Then passing through the spheres of watchful fire, In solemn songs at king Alcinous' feast, But fie, my wandering Muse, how thou dost stray! Then quick about thy purposed business come, That to the next I may resign my room. Then ENS is represented as father of the Predicaments, his two sons, whereof the eldest stood for Substance with his canons, which Exs, thus speaking, explains: Good luck befriend thee, son; for, at thy birth, 29. Yet I had rather, &c. It appears, by this address of Milton to his native language, that even in these green years he had the ambition to think of writing an epic poem; and it is worth the curious reader's attention to observe how much the "Paradise Lost" corresponds in its circumstances to the prophetic wish he now formed. THYER. Here are strong indications of a young mind anticipating the subject of the "Paradise Lost," if we substitute Christian for pagan ideas. He was now deep in the Greek poets.-T. WARTON, 60 37. Unshorn Apollo, an epithet by which he is distinguished in the Greek and Latin poets. 48. Demodocus, the famous bard of the Odyssey, who, according to the fashion of the heroic ages, delighted the guests of Alcinous, during their repast, by singing about the feats of the Greeks at the siege of Troy, the wooden horse, &c. See Od. viii. 44. 59. Good luck, &c. Here the metaphy sical or logical Ens is introduced as a person, and addressing his eldest son Substance; afterwards the logical Quantity Thy drowsy nurse hath sworn she did them spie She heard them give thee this, that thou shouldst still 65 Yet there is something that doth force my fear; A sibyl old, bow-bent with crooked age, And Peace shall lull him in her flowery lap; What power, what force, what mighty spell, if not The next, QUANTITY and QUALITY, spake in prose; then RELATION was called by his name. Rivers, arise; whether thou be the son Quality, and Relation, are personified, and speak. This affectation will appear more excusable in Milton, if we recollect that every thing, in the masks of this age, appeared in a bodily shape. "Airy Nothing" had not only a "local habita tion and a name," but a visible figure.T. WARTON. 61. Faery ladies, &c. This is the first and last time that the system of the fairies was ever introduced to illustrate the doctrine of Aristotle's ten categories. It may be remarked that they both were in fashion, and both exploded, at the same time.-T. WARTON. 62. Come tripping, &c. So barren, unpoetical, and abstracted a subject could not have been adorned with finer touches of fancy.-T. WARTON. 74. To many an Accident. A pun on the logical Accidens.-T. WARTON. 75. Q'er all his brethren, &c. The Pre-' | |