Thoth, Volumes 11-12Graduate students of the English Department, Syracuse University, 1970 - American literature |
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Page 16
THE CONCEPT OF NATURE IN BEOWULF By ERVENE F. GULLEY The cosmic , animistic background of the Beowulf poem is one of its most distinctive and effective elements ; yet previous cricical attention to the concept of nature that informs the ...
THE CONCEPT OF NATURE IN BEOWULF By ERVENE F. GULLEY The cosmic , animistic background of the Beowulf poem is one of its most distinctive and effective elements ; yet previous cricical attention to the concept of nature that informs the ...
Page 17
... concept suggests the necessity of establishing the first before dis- cussing the second . 3 Perhaps the most general and basic charactertistic of the view of nature in Beowulf , and one of the major points in favor of viewing the poem ...
... concept suggests the necessity of establishing the first before dis- cussing the second . 3 Perhaps the most general and basic charactertistic of the view of nature in Beowulf , and one of the major points in favor of viewing the poem ...
Page 21
... concept of existence and then uses that same concept to explain concretely the spiritual phenomenon of life after death . This reduction of all phenomena to the level of man in nature in Beowulf is one of the strongest arguments for the ...
... concept of existence and then uses that same concept to explain concretely the spiritual phenomenon of life after death . This reduction of all phenomena to the level of man in nature in Beowulf is one of the strongest arguments for the ...
Contents
The Concept of Nature in Beowulf Ervene F Gulley | 16 |
Psychological | 31 |
The Criticism of Williams | 40 |
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action Aimwell American artistic Badge of Courage becomes Belinda Beowulf Bloom Book Bookman character Christ Clarissa comic concept Conrad Consul Creeley Creeley's critics Dalloway death Dickens dramatic emotional English epic Epicurus Essays Estella eternity experience Fainall and Marwood Falstaff feel Fiction final Gerard Manley Hopkins Ginsberg heart Heav'n Hector hero Hopkins human imagination inscape instress Introduction irony Jim's John John Engels Jonson Joyce Joyce's language lines Literary Lock Lord Jim Lupus Maggie man's Marlow metaphor Miss Kilman moral narrator nature Nostromo novel Ovid Paterson Peter play Plutzik poem poet Poetaster poetry Pope prose Raintree County reader reality Red Badge Review satire says scene SCraneN seems selving sense Septimus Shakespeare Shawnessy Skrebensky soul speech spirit sprung rhythm Stephen Crane story Studies style sylphs symbolic Syracuse University theme THOTH tion Ursula vision voice Walter Sutton William Carlos Williams words York