Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 9
... turn ; it will be excited , charmed , interested , enlivened , surprised , but when all has been experienced in the due sequence of performance and is thus truly summed up , then the audience must sit back and be aware of the whole ...
... turn ; it will be excited , charmed , interested , enlivened , surprised , but when all has been experienced in the due sequence of performance and is thus truly summed up , then the audience must sit back and be aware of the whole ...
Page 85
... turn , sir ' ) are closer from the start of the play to human verities than either the court's or Armado's . If we are to believe Costard later ( V. ii . 668 ) , Armado has served his turn too upon Jaquenetta , which only emphasizes the ...
... turn , sir ' ) are closer from the start of the play to human verities than either the court's or Armado's . If we are to believe Costard later ( V. ii . 668 ) , Armado has served his turn too upon Jaquenetta , which only emphasizes the ...
Page 113
... turns , or descends , into brief merriment before this mood in turn is suddenly dashed with the news of Antonio's mortal danger . V ' How every fool can play upon the word ! I think the best grace of wit will shortly turn into silence ...
... turns , or descends , into brief merriment before this mood in turn is suddenly dashed with the news of Antonio's mortal danger . V ' How every fool can play upon the word ! I think the best grace of wit will shortly turn into silence ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |