Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 35
Malcolm Bradbury, David Palmer. a seed - bed for themes , characters and situations which are to be developed in later ... theme ) which make up the pattern of the play . Nor am I suggesting that a single sonnet , like 40 , justifies the ...
Malcolm Bradbury, David Palmer. a seed - bed for themes , characters and situations which are to be developed in later ... theme ) which make up the pattern of the play . Nor am I suggesting that a single sonnet , like 40 , justifies the ...
Page 98
... theme is not ' obvious ' in the sense that led Stephen Gosson to exempt the old play called The Jew from his general censure of the stage in 1579 , for its edifying representation of ' the greedinesse of worldly chusers and the bloody ...
... theme is not ' obvious ' in the sense that led Stephen Gosson to exempt the old play called The Jew from his general censure of the stage in 1579 , for its edifying representation of ' the greedinesse of worldly chusers and the bloody ...
Page 242
... themes . Shakespeare Survey 8 ( 1955 ) and 22 ( 1969 ) take the comedies as their principal theme , and the former contains a survey by John Russell Brown of twentieth - century criticism . The main sources and analogues of the comedies ...
... themes . Shakespeare Survey 8 ( 1955 ) and 22 ( 1969 ) take the comedies as their principal theme , and the former contains a survey by John Russell Brown of twentieth - century criticism . The main sources and analogues of the comedies ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |