Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 12
... stage at the same time , and often all in similar predica- ments . And likewise , when Shakespeare chose to present stories which involve disguise and the over - hearing of plots and counter - plots , he often provided for two or three ...
... stage at the same time , and often all in similar predica- ments . And likewise , when Shakespeare chose to present stories which involve disguise and the over - hearing of plots and counter - plots , he often provided for two or three ...
Page 21
... stage . For such an important character , the absence of an ' exit - line ' is a remark- able stage - trick , and very rare in Shakespeare's works ( there were long distances to be negotiated on the stages of his time ) . In default of ...
... stage . For such an important character , the absence of an ' exit - line ' is a remark- able stage - trick , and very rare in Shakespeare's works ( there were long distances to be negotiated on the stages of his time ) . In default of ...
Page 24
... stage . Such moments are summed up at the end of the play , when Jaques leaves the stage again , saying he is for ' other than for dancing measures ' . Once more the audience will momentarily see his reality , lonely and barren ; and ...
... stage . Such moments are summed up at the end of the play , when Jaques leaves the stage again , saying he is for ' other than for dancing measures ' . Once more the audience will momentarily see his reality , lonely and barren ; and ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |