Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 57
... Perhaps in the end the surface of this play is intimate with the depths ; but perhaps , also , that intimacy will emerge more readily in the study , in the company of the Folio and the Sonnets , than in the theatre . Perhaps The Two ...
... Perhaps in the end the surface of this play is intimate with the depths ; but perhaps , also , that intimacy will emerge more readily in the study , in the company of the Folio and the Sonnets , than in the theatre . Perhaps The Two ...
Page 95
... perhaps the Princess and her ladies ; for their gaiety and easy conduct come in part from their knowing that life requires from each of them a fluent performance . The play ends , after all , not with the dedication to ' mourning houses ...
... perhaps the Princess and her ladies ; for their gaiety and easy conduct come in part from their knowing that life requires from each of them a fluent performance . The play ends , after all , not with the dedication to ' mourning houses ...
Page 220
... perhaps in Pettie's Latin translation , and used his reading when he wrote The Winter's Tale . Today some scholars feel that the corres- pondences between the two plays are close enough to justify our naming Alcestis as an actual source ...
... perhaps in Pettie's Latin translation , and used his reading when he wrote The Winter's Tale . Today some scholars feel that the corres- pondences between the two plays are close enough to justify our naming Alcestis as an actual source ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |