Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 211
... never have heard , if we had never been invited to listen for them . And indeed if it were otherwise , it is criticism which would find itself superfluous . Good literature is usually indefinitely rich ; we never know what more is to be ...
... never have heard , if we had never been invited to listen for them . And indeed if it were otherwise , it is criticism which would find itself superfluous . Good literature is usually indefinitely rich ; we never know what more is to be ...
Page 225
... never seen a man he procured a man who had never seen a girl . But no , Dryden's instinct was coarse after all . There is already in The Tempest a man who has never seen a girl . His name is Caliban . Perhaps Miranda found it easy to ...
... never seen a man he procured a man who had never seen a girl . But no , Dryden's instinct was coarse after all . There is already in The Tempest a man who has never seen a girl . His name is Caliban . Perhaps Miranda found it easy to ...
Page 239
... never matured into true civility . Thus , if we indulge the fantasy and explore this Protean evolution which , for the fictitious character , serves instead of childhood , we shall find that if Jaques is Caliban , and Jaques is ...
... never matured into true civility . Thus , if we indulge the fantasy and explore this Protean evolution which , for the fictitious character , serves instead of childhood , we shall find that if Jaques is Caliban , and Jaques is ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |