Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 41
... move through three stages . In the first of these — I . i through to the beginnings of Proteus ' defection at II ... moves rapidly through a duologue which , in Lyly's manner , sets up two anti- thetical attitudes , leaving Proteus alone ...
... move through three stages . In the first of these — I . i through to the beginnings of Proteus ' defection at II ... moves rapidly through a duologue which , in Lyly's manner , sets up two anti- thetical attitudes , leaving Proteus alone ...
Page 51
... move through a particularly wide range of stances : through moments deeply moving , moments which implicitly reveal their own absurdity , and moments which explicitly deflate the love code ( Launce's and Speed's duologue on Launce's ...
... move through a particularly wide range of stances : through moments deeply moving , moments which implicitly reveal their own absurdity , and moments which explicitly deflate the love code ( Launce's and Speed's duologue on Launce's ...
Page 100
... moving the affections : For suppose it be granted ( that which I suppose with great reason may be denied ) that the ... move us through feeling to imaginative conception . Jacob is not the only magician - figure in The Merchant of ...
... moving the affections : For suppose it be granted ( that which I suppose with great reason may be denied ) that the ... move us through feeling to imaginative conception . Jacob is not the only magician - figure in The Merchant of ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |