Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 35
... importance of their counter- parts in As You Like It . What is more helpful , if we want to see what impulses produce the ... important than any 9 Cf. Leech , op . cit . , pp . lxix - lxx , and Bullough , op . cit . , pp . 210-11 . 10 Cf ...
... importance of their counter- parts in As You Like It . What is more helpful , if we want to see what impulses produce the ... important than any 9 Cf. Leech , op . cit . , pp . lxix - lxx , and Bullough , op . cit . , pp . 210-11 . 10 Cf ...
Page 70
... important plays and a touchstone for the understanding and interpretation of others'.5 If this is so , it is not surprising that Shakespeare should have felt the need to shape the play from within rather than work through an existing ...
... important plays and a touchstone for the understanding and interpretation of others'.5 If this is so , it is not surprising that Shakespeare should have felt the need to shape the play from within rather than work through an existing ...
Page 156
... important than what , verbally , lies on each side of them . In the case of the Fools what is entirely misunder- stood or only partially understood by others is important ; in Pinter's case , what is unsaid - significantly unsaid ...
... important than what , verbally , lies on each side of them . In the case of the Fools what is entirely misunder- stood or only partially understood by others is important ; in Pinter's case , what is unsaid - significantly unsaid ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |