Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 41
... friends to dignify them more : I leave myself , my friends , and all for love . ( I. i . 63-5 ) At this stage there is no reason to doubt that these lines are a straight- forward enunciation of theme , but subsequent action and speeches ...
... friends to dignify them more : I leave myself , my friends , and all for love . ( I. i . 63-5 ) At this stage there is no reason to doubt that these lines are a straight- forward enunciation of theme , but subsequent action and speeches ...
Page 104
... Friends become strangers , and the encounter between Antonio and Gratiano is just such a contrast of opposing ... friends who should be united by sympathies of feeling , and through the sequence of departures as in turn each of Antonio's ...
... Friends become strangers , and the encounter between Antonio and Gratiano is just such a contrast of opposing ... friends who should be united by sympathies of feeling , and through the sequence of departures as in turn each of Antonio's ...
Page 157
... friend of my brother's . I mean , you're my brother's friend , aren't you ? Davies : Well , I ... I wouldn't put it as far as that . Mick : Don't you find him friendly , then ? Davies : Well , I wouldn't say we was all that friends . I ...
... friend of my brother's . I mean , you're my brother's friend , aren't you ? Davies : Well , I ... I wouldn't put it as far as that . Mick : Don't you find him friendly , then ? Davies : Well , I wouldn't say we was all that friends . I ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |