Shakespearian ComedyMalcolm Bradbury, David Palmer |
From inside the book
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Page 213
... comes from outside ; the drop of light he sees suspended from the ramparts of Heaven at the end of Book II is not the Terrestrial Globe but the entire Ptolemaic universe , and he must penetrate the spheres before he can touch the top of ...
... comes from outside ; the drop of light he sees suspended from the ramparts of Heaven at the end of Book II is not the Terrestrial Globe but the entire Ptolemaic universe , and he must penetrate the spheres before he can touch the top of ...
Page 214
Malcolm Bradbury, David Palmer. humanity itself . Othello comes from a remote clime , but Iago , in his simpler darkness , comes from the far side of chaos . Hence the pathos of Shakespeare's best departure from his source . In Cinthio's ...
Malcolm Bradbury, David Palmer. humanity itself . Othello comes from a remote clime , but Iago , in his simpler darkness , comes from the far side of chaos . Hence the pathos of Shakespeare's best departure from his source . In Cinthio's ...
Page 218
... comes late . In any case , the ' logical atmosphere ' of a Menandrian prologue is subtle . The speaker does not say , ' I am acting the part of Pan ' ; he rather implies , ' I , the god Pan , have come down to tell you that this place ...
... comes late . In any case , the ' logical atmosphere ' of a Menandrian prologue is subtle . The speaker does not say , ' I am acting the part of Pan ' ; he rather implies , ' I , the god Pan , have come down to tell you that this place ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |