Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 60
... characters fall neatly into groups . In Love's Labour's Lost we have the King of Navarre and his three courtiers , balancing the Princess of France and her three ladies , attended by Boyet ; Armado and his foil , Moth ; Holofernes and ...
... characters fall neatly into groups . In Love's Labour's Lost we have the King of Navarre and his three courtiers , balancing the Princess of France and her three ladies , attended by Boyet ; Armado and his foil , Moth ; Holofernes and ...
Page 62
... characters , their own differences resolved , together form a somewhat restive audience for a performance by their social inferiors . The characters of both plays are obviously concerned with right behaviour . Those of Love's Labour's ...
... characters , their own differences resolved , together form a somewhat restive audience for a performance by their social inferiors . The characters of both plays are obviously concerned with right behaviour . Those of Love's Labour's ...
Page 162
... characters . Their verbal encounters , their varying assessments of each other assume the status of events in this pastoral landscape where the gifts of Fortune are bestowed so equally as to throw a new and searching light on what ...
... characters . Their verbal encounters , their varying assessments of each other assume the status of events in this pastoral landscape where the gifts of Fortune are bestowed so equally as to throw a new and searching light on what ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |