Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 11
... called ' wit - work ' are very similar to those he called ' dream - work ' . Both involve displacement of normal experience , illogical sequences , exaggerations , condensations , substitutions and indirections . Freud concluded that ...
... called ' wit - work ' are very similar to those he called ' dream - work ' . Both involve displacement of normal experience , illogical sequences , exaggerations , condensations , substitutions and indirections . Freud concluded that ...
Page 16
... called the feature of virtue , the image of scorn and the form and pressure of the very age and body of the time . Or we might say that the stage - action and speech of each of the comedies is a world which Shakespeare accepted as true ...
... called the feature of virtue , the image of scorn and the form and pressure of the very age and body of the time . Or we might say that the stage - action and speech of each of the comedies is a world which Shakespeare accepted as true ...
Page 219
... called Phileuripides ( The Lover of Euripides ) ; a character in Philemon ( fr . 130 ) says that if he believed in immortality he would hang himself to meet Euripides . Strattis ( who , incidentally , wrote a play which sounds oddly ...
... called Phileuripides ( The Lover of Euripides ) ; a character in Philemon ( fr . 130 ) says that if he believed in immortality he would hang himself to meet Euripides . Strattis ( who , incidentally , wrote a play which sounds oddly ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |