Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 76
... aware , obviously , of the traditional opposition of contemplative and active life : Our court shall be a little academe , Still and contemplative in living art . Yet some lines later , in the images of chivalric honour and combat that ...
... aware , obviously , of the traditional opposition of contemplative and active life : Our court shall be a little academe , Still and contemplative in living art . Yet some lines later , in the images of chivalric honour and combat that ...
Page 140
... aware not only that the action of the play concerns only a brief part of life , wooing and wiving , but also that the play itself has been a brief entertainment in a workaday world . What the song offers , in other words , is a voice of ...
... aware not only that the action of the play concerns only a brief part of life , wooing and wiving , but also that the play itself has been a brief entertainment in a workaday world . What the song offers , in other words , is a voice of ...
Page 203
... aware of the levels of Vincentio's being and of his knowledge . We have seen him ordering Barnardine's death ; we have seen him recognize that to kill him would be damn- able ; we see him now in the place of judge . And we also see ...
... aware of the levels of Vincentio's being and of his knowledge . We have seen him ordering Barnardine's death ; we have seen him recognize that to kill him would be damn- able ; we see him now in the place of judge . And we also see ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |