Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 12
... attention is claimed by the unlooked - for arrival of a changed Oliver , by Celia's growing concern for him , and by Rosalind's inward concern for Orlando's danger . While each centre of interest is here subtly presented , in other ...
... attention is claimed by the unlooked - for arrival of a changed Oliver , by Celia's growing concern for him , and by Rosalind's inward concern for Orlando's danger . While each centre of interest is here subtly presented , in other ...
Page 182
... Attention may work through association of action rather than by logic of event and so give the unfolding of circumstances the same scope poetic diction gives to the functions of grammar . Mallarmé said that in a poem words should be ...
... Attention may work through association of action rather than by logic of event and so give the unfolding of circumstances the same scope poetic diction gives to the functions of grammar . Mallarmé said that in a poem words should be ...
Page 193
... attention is to become the Duke and his desperate twisting of human designs . Shakespeare preserves our attention at this point first by the author- ity and calm of the Duke's appearance , and then by interesting us in a new character ...
... attention is to become the Duke and his desperate twisting of human designs . Shakespeare preserves our attention at this point first by the author- ity and calm of the Duke's appearance , and then by interesting us in a new character ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |