Shakespearian ComedyMalcolm Bradbury, David Palmer |
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Page 136
... Sir Toby as one voice of maturity early in the play , but he is the effective centre of the group consisting of Maria , Fabian , Feste , and Sir Andrew Aguecheek . Sir Toby sponges on Sir Andrew , yet at the same time provides him with ...
... Sir Toby as one voice of maturity early in the play , but he is the effective centre of the group consisting of Maria , Fabian , Feste , and Sir Andrew Aguecheek . Sir Toby sponges on Sir Andrew , yet at the same time provides him with ...
Page 137
... Sir Toby's famous rebuke : ' Dost thou think because thou art virtuous , there shall be no more cakes and ale ? ' ( II . iii . 108 ) . ' Virtue ' without good humour , generosity of spirit , or tolerance , deserves no better . Thus far ...
... Sir Toby's famous rebuke : ' Dost thou think because thou art virtuous , there shall be no more cakes and ale ? ' ( II . iii . 108 ) . ' Virtue ' without good humour , generosity of spirit , or tolerance , deserves no better . Thus far ...
Page 138
... Sir Toby and Fabian , who press Sir Andrew to encounter the ' paltry boy ' Cesario once more . The result is real violence , as they meet with Sebastian in error ; the appearance of Sir Andrew with a ' bloody coxcomb ' , and Sir Toby ...
... Sir Toby and Fabian , who press Sir Andrew to encounter the ' paltry boy ' Cesario once more . The result is real violence , as they meet with Sebastian in error ; the appearance of Sir Andrew with a ' bloody coxcomb ' , and Sir Toby ...
Contents
Preface | 7 |
Constancy | 31 |
Shakespeare Without Sources STANLEY WELLS | 58 |
Copyright | |
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Common terms and phrases
action actor Angelo Antonio Arden Armado Armin attitudes audience aware Bassanio Beatrice Benedick Berowne Berowne's Caliban characters Claudio Comedy of Errors comic convention Costard courtly critics death disguise Dogberry doth dramatic Duke Senior Duke's effect Elizabethan Euripides feel Feste final scene folly Fool Friar Ganymede Gentlemen of Verona grace Greek hath human Illyria imagination Isabella judgement Julia kind King ladies language Lear London lords Love's Labour's Lost lovers Malvolio Measure for Measure Merchant of Venice Midsummer Night's Dream mocking moral nature Olivia Orlando Orsino passion pastoral pattern perhaps play play's plot Portia Princess Prospero Proteus reality role romance Rosalind Sebastian seems sense sexual Shakespeare Shakespearian Shylock Silvia Sir Andrew Sir Toby song sonnets speak speech spirit stage story suggests sweet Tempest theatre theme Theseus thou tion Touchstone tragedy true Twelfth Night Valentine Valentine's verbal Viola wide focus Winter's Tale words
References to this book
Literature, Travel, and Colonial Writing in the English Renaissance, 1545-1625 Andrew Hadfield No preview available - 2007 |