A Contradiction Still: Representations of Women in the Poetry of Alexander Pope

Front Cover
Manchester University Press, 1998 - Literary Criticism - 245 pages
This book offers a stimulating critique of the views concerning gender and gender roles expressed or implied in Pope’s poetry. Christa Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a detailed discussion of Pope’s poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. An attentive close-reading of the poetry reveals Pope's conflicting attitudes towards women and explains them as a product of his difficulties with a society that was experiencing rapid political and cultural change. His contradictory views of femininity are examined in contrast to his self-appointed role as an artist who exercised the prerogative of criticizing the taste of contemporary readers. Knellwolf shows him to be torn between mourning the loss of an old order and fighting for a place in the new social hierarchy. She identifies this conflict with contemporary struggles over the definition of identity and gender, and thus makes a strong case for the reappraisal of Pope’s poetry in the context of gender politics.

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Contradiction and the Epistle to a Lady
10
Contradiction the double standard and its critics
39
Violence and representation in WindsorForest
67
Copyright

6 other sections not shown

Other editions - View all

Common terms and phrases

About the author (1998)

Christa Knellwolf is Research Fellow in the English Department at the University of Wales, Cardiff.

Bibliographic information