A Buddhist's Shakespeare: Affirming Self-deconstructions"In this argument, Howe applies his Buddhist perspective to some key ideas of neo-Marxists, Michel Foucault, and new historicists concerning the relations between literature and society. This perspective provides new challenges to the Marxist view that society necessarily determines our consciousness, Foucault's position that everyone in society is necessarily enclosed within a power field of competing and therefore oppositional interests, and the new historicist position that a society's established authority maintains itself in part by legitimating dissent in order to contain it. Howe proposes instead the possibility of a non-oppositional, nonideological posture in which one can stand apart from the class oppositions of Marx, the power field of Foucault, and the containment of dissent alleged by many new historicists, yet in a way which actually reduces the misery caused by social injustice." "Engaging contemporary theoretical debate, Howe draws a parallel between Jacques Derrida's ideas about "differance" - in which "presence" occurs only in "absence" - and the Buddhist idea of shunyata, the fullness of emptiness. He also shows the similarities between Derrida's and Buddhism's critiques of reason and language.". |
From inside the book
Results 1-5 of 28
Page 14
... continues to unfold , a history that has been completely rewritten eight times already . By the middle of the last chapter , each previous version felt like a falsification . My way of reading Shakespeare had changed in the writing ...
... continues to unfold , a history that has been completely rewritten eight times already . By the middle of the last chapter , each previous version felt like a falsification . My way of reading Shakespeare had changed in the writing ...
Page 16
... continuing social transactions might change . This complex process of reading might then have fruitful implications for society in general . II However , a Buddhist transaction can also engage socially significant issues more directly ...
... continuing social transactions might change . This complex process of reading might then have fruitful implications for society in general . II However , a Buddhist transaction can also engage socially significant issues more directly ...
Page 18
... continuing explora- tion of the possibilities for a more optimistic view ( see Greenblatt 1988b , 2-3 ) . In Renaissance Self - Fashioning , for example , he aims at developing a " poetics of culture " ( Greenblatt's italics ) and ...
... continuing explora- tion of the possibilities for a more optimistic view ( see Greenblatt 1988b , 2-3 ) . In Renaissance Self - Fashioning , for example , he aims at developing a " poetics of culture " ( Greenblatt's italics ) and ...
Page 30
... continue all the time " ( Trungpa 1976 , 22 ) : one , then another , and another , but no one is counting or cataloguing . It is this lack of categorical judgment that allows Bottom his equanim- ity in the face of the extraordinary ...
... continue all the time " ( Trungpa 1976 , 22 ) : one , then another , and another , but no one is counting or cataloguing . It is this lack of categorical judgment that allows Bottom his equanim- ity in the face of the extraordinary ...
Page 33
... continuing and overarching sovereignty , despite the appearance the nuptials give that order has been satisfactorily restored.3 In between , in acts 2 , 3 , and 4 , in the dark forest world , authority is even more obviously arbitrary ...
... continuing and overarching sovereignty , despite the appearance the nuptials give that order has been satisfactorily restored.3 In between , in acts 2 , 3 , and 4 , in the dark forest world , authority is even more obviously arbitrary ...
Contents
27 | |
Awakening The Sword of Prajna in the Visual Arts and in Richard III | 51 |
The Merchant of Venice as Sword of Prajna | 74 |
The Cause of Suffering and the Birth of Compassion in Julius Caesar | 96 |
The Emptiness of Differenceand the Six Samsaric Realms in Antony and Cleopatra | 114 |
Prince Hals Deferral as the Ground of Free Play | 146 |
Further Glimpses of Free Play in Hamlet and King Lear | 168 |
The Tempest | 191 |
Common terms and phrases
actor affirmation Antony and Cleopatra Antony's argues art of resemblance artists audience authority awareness Bassanio becomes believe Bottom Brutus Brutus's Buddhist Buddhist view character Chögyam Trungpa choose consciousness context conventional create death deconstruction deferred Derrida desire différance discourse dramatic Duccio Elizabethan emphasizes emptiness enacts example experience fact Falstaff Foucault give Greenblatt Hal's Hamlet Holbein honor Hotspur human idea identity illusion implications interpretation Jonathan Dollimore Julius Caesar king Lear lovers metadramatic Midsummer Night's Dream nature nirvana Noble ourselves painting perspective play play's point of view political Portia Prajna present prince Prospero Pyramus and Thisby realistic reality relationship Renaissance representation Richard role Roman Roy Strong samsara scene seems self-image sense Shakespeare shows Shylock situation stage Stephen Greenblatt Stephen Orgel style subversion sunyata Tennenhouse texts theater theatrical Theseus things tion transparent Trungpa truth University Press vantage point viewer visual arts
Popular passages
Page 29 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.