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THE

READER'S SHAKESPEARE:

11

HIS DRAMATIC WORKS

CONDENSED, CONNECTED, AND EMPHASIZED,

FOR

SCHOOL, COLLEGE, PARLOUR, AND PLATFORM.

IN THREE VOLUMES.

BY

DAVID CHARLES BELL,

AUTHOR OF “ THE THEORY OF ELOCUTION, ,” “THE CLASS BOOK OF POETRY,':
THE MODERN READER AND SPEAKER,

" "THE STANDARD ELOCUTIONIST,"
&C., &C.

VOL. III.

CO M E DI ES.

NEW YORK:
FUNK AND WAGNALLS COMPANY.

1897.

229.33
SP 133

777055

Entered according to Act of Congress, in the year 1897, by

David CHARLES BELL, in the office of the Librarian of Congress, at Washington.

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TO

MRS. GARDINER GREENE HUBBARD,

THESE THREE VOLUMES,

ELUCIDATING, FOR “READING ALOUD," ALL SHAKESPEARE'S PLAYS,

ARE DEDICATED,

AS A TOKEN OF FRIENDSHIP AND ESTEEM,

BY

THE EDITOR.

The English Edition-published by Messrs. Hodder and Stoughton, Paternoster Row, London-is inscribed to the Editor's '. Former Patrons and Pupils

in Irelaud, England, Scotland, aud Canada."

This Third Volume of “ The Reader's Shakespeare” contains all the Comedies--with the exception of “ The Tempest,” which, as a Romantic Play, is printed in the Second Volume.

These “Readings” do not consist of isolated Selections, but they are original “ Condensations” of each play; including the various plots, and introducing the principal Scenes, Incidents, and Characters; rejecting nothing which good taste and experienced judgment should wish to be retained; for, in Shakespeare's Plays, whether performed on the Stage, presented on the Platform, or read in the familycircle, there is much that must be omitted- -a great deal that may be omitted—but, happily, with a valuable residuum of poetic beauty, human interest, good sense, good humour, and verbal photography.

The preparation of these Condensations has extended over more than sixty years, the greater number of them having been often read in public; therefore the retained text has been frequently revised, and it is now as carefully preserved as expurgation and compression allow; all the important verbal changes (many of them being evident improvements,) are contrasted with the Original Readings (O. R.) of the first Folio or the earlier Quartos. The poetic gems have been retained, as well as the refined wit and humour, of character or situation. The Connecting Remarks enable the Reader to dispense with superfluous and unimportant dialogue, and are so arranged as to form, with the abridged and purified text, a continuous story; avoiding the theatrical divisions into Acts and Scenes, as well as the annoying repetition of the names of the dramatis persona-with their "entrances" and their “exits.” The Notes explain all obsolete, irregular, and “ folk-lore" expressions; and, being directly under the eye of the Reader, each page becomes se f-interpreting. The unobtrusive little diacritica guides the attentive reader, by its silent direction, to ascertain at once the prominent or emphatic (antithetic) words—thus making many obscure passages easily intelligible, by denoting the exact meaning, or suggesting an oblique reference.- With these advantages, aided by revised punctuation, the whole of Shakespeare's Dramatic Works are, for the first time, presented in a readable, untheatrical form.

The Special Marks in these Volumes are extremely simple : (1) The diacritic mark (') for prominence or emphasis—placed 'before the word.

(2) An emotional or expressive pause (: :-),

(3) The letters 0. R, to denote the Original Reading (chiefly from the First Foli 1623).

1517 THIRTY-FIFTH STREET,

WEST WASHINGTON, D. C.

& The diacritic mark is placed before the word, but its stress is chiefly manifested on its accented syllable; so that'command might have been printed com'mand, 'compensation might have appeared as compen'sation; but as the whole of the marked word should partake of the increased stress, it was thought advisable to place the mark before the word,

PAGE.

THE FOLLOWING IS THE ORDER OF THE PLAYS IN THE FIRST FOLIO (1623).

"A CATALOGVE
of the seuerall Comedies, Histories, and Tragedies contained in this Volume.

COMEDIE:

The Second Part of K Henry the Fourth-
The Tempest.

The Life of King Henry the Fift
The Two Gentlemen of Verona,

The First Part of King Henry the Sixt
The Merry Wrues of Windsor'.

The Second Part of King Hen. the Sixt.
Measure for Measure.

The Third Part of King Henry the Sixt.
The Comedy of Errours.

The Life & Death of Richard the Third.
Much Adoo about Nothing.

The Life of King Henry the Eight,
Loues Labour Lost.
Midsommer Nights Dreame.
The Merchant of Venice.

TRAGEDIES:
As You Like It.
The Taming of the Shrew.
All is Well that Ends Well.

The Tragedy of Coriolanus.
Twelfe Night, or What you Will.

Titus Andronicus.
The Winters Tale.

Romeo and Juliet,

Timon of Athens.
HISTORIES:

The Life and Death of Julius Cæsar.

The Tragedy of Macbeth.
The Life and Death of King John,

The Tragedy of Hamlet.
The Life & Death of Richard the King Lear.
Second.

Othello, the Moore of Venice.
The First Part of King Henry the Anthony and Cleopater.
Fourth.

Cymbeline, King of Britaine."
NOTE.-Troilus and Cressida is not in the original Table of Contents, but it is

placed first in the Collection of the Tragedies, without being included in the paging.

The whole number of plays in the first folio is, therefore, 35. Pericles was first

printed in quarto in 1609, but was not included in Shakespeare's Collected Plays

till in the third folio (1664).

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