A Practical Manual of Elocution: Embracing Voice and Gesture : Designed for Schools, Academies and Colleges, as Well as for Private Learners |
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Page 57
... semitones . The intervals between the first or keynote and the others successively are called the second , the third , the fourth , the fifth , the sixth , the seventh and the eighth or octave ; and this irrespective of the point ...
... semitones . The intervals between the first or keynote and the others successively are called the second , the third , the fourth , the fifth , the sixth , the seventh and the eighth or octave ; and this irrespective of the point ...
Page 59
... semitone , of a full tone or second , of the third or two full tones , of the fifth , and of the octave ; all of which , except the first , may be represented by the aid of the musical scale . Downward Second . * Called in our old books ...
... semitone , of a full tone or second , of the third or two full tones , of the fifth , and of the octave ; all of which , except the first , may be represented by the aid of the musical scale . Downward Second . * Called in our old books ...
Page 60
... Semitone . - This is heard in the com- plaints of children , and is also the element which gives the peculiar expression to the language of grief , or of pity . It should be at the command of every speaker , and yet there is danger of ...
... Semitone . - This is heard in the com- plaints of children , and is also the element which gives the peculiar expression to the language of grief , or of pity . It should be at the command of every speaker , and yet there is danger of ...
Page 71
... the slides which we have described , varying from a semitone to an octave , enter as * This is called by Steele and Walker the circumflex accent . constituents into these waves , it will appear , that WAVES OF THE VOICE .. 71.
... the slides which we have described , varying from a semitone to an octave , enter as * This is called by Steele and Walker the circumflex accent . constituents into these waves , it will appear , that WAVES OF THE VOICE .. 71.
Page 72
... Semitone . - This cannot be re- presented to the eye in a manner to make the subject any more plain . If , on any long syllable , the learner will com- bine the Median Stress with the expression of pathetic or solemn sentiment , he ...
... Semitone . - This cannot be re- presented to the eye in a manner to make the subject any more plain . If , on any long syllable , the learner will com- bine the Median Stress with the expression of pathetic or solemn sentiment , he ...
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Common terms and phrases
Absalom accent action Ahimaaz articulation Aspiration body Bowdoin College breast Broken Melody Brutus Cadence Cæsar called Cassius character Chironomia Cicero combined Concrete consonants countenance current melody delivery Demosthenes Diatonic Dickinson college dignity direct discourse distinct downward Drift elements Elocution emotion emphasis emphatic employed equal wave examples exercise exhibit expression Falling Slide feeling fifth fingers foot force furnish gesture give grace hand head heard heart heaven human voice illustrate interrogation interval Intonation king language learner long quantity lower limbs Manual marked Median Stress ment mind motley fool movement musical scale natural never o'er object octave orator oratory Pandarus passions pause perfect phatic pitch position practice presented principles pulpit Quintilian Radical Stress reading Rising Slide Semitone sentence sentiment speaker speaking speech style syllables taste teacher thee thou tion tones utterance Vanishing Stress vocal voice vowels words
Popular passages
Page 144 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.
Page 174 - Caesar carelessly but nod on him. He had a fever when he was in Spain ; And, when the fit was on him, I did mark How he did shake...
Page 131 - The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one, as before, will chase His favorite phantom ; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee.
Page 110 - Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes ! I heard the bell tolled on thy burial day, I saw the hearse that bore thee slow away, And, turning from my nursery window, drew A long, long sigh, and wept a last adieu ! But was it such ? It was.
Page 129 - HAIL, holy Light, offspring of Heaven first-born! Or of the Eternal coeternal beam May I express thee unblamed? since God is light, And never but in unapproached light Dwelt from eternity — dwelt then in thee, Bright effluence of bright essence increate!
Page 165 - Julius bleed for justice' sake ? What villain touch'd his body, that did stab, And not for justice ? What, shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now Contaminate our fingers with base bribes, And sell the mighty space of our large honours For so much trash as may be grasped thus ? — I had rather be a dog, and bay the moon, Than such a Roman.
Page 112 - You say you are a better soldier: Let it appear so; make your vaunting true, And it shall please me well. For mine own part, I shall be glad to learn of noble men. Cas. You wrong me every way, you wrong me, Brutus; I said, an elder soldier, not a better: Did I say better?
Page 210 - Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That shepherd, who first taught the chosen seed, In the beginning how the Heavens and Earth Rose out of Chaos...
Page 150 - This fellow's of exceeding honesty, And knows all qualities, with a learned spirit, Of human dealings. If I do prove her haggard, Though that her jesses were my dear heart-strings, I 'ld whistle her off and let her down the wind, To prey at fortune.
Page 174 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.