Bodied Spaces: Phenomenology and Performance in Contemporary Drama |
From inside the book
Results 1-3 of 10
Page 104
... Ionesco's The Chairs suggests the affinity between absurdism's " divorce " between actor and setting and the dialectic of placement / displacement set into motion in more conventionally realist drama . Though dominated ( like most of ...
... Ionesco's The Chairs suggests the affinity between absurdism's " divorce " between actor and setting and the dialectic of placement / displacement set into motion in more conventionally realist drama . Though dominated ( like most of ...
Page 105
... Ionesco's play mark a disposses- sion of the body from its surroundings , a destabilization of the more regular ... ( Ionesco's Imperatives : The Politics of Culture [ Ann Arbor : University of Michigan Press , 1993 ] , 79 ) . Ionesco's ...
... Ionesco's play mark a disposses- sion of the body from its surroundings , a destabilization of the more regular ... ( Ionesco's Imperatives : The Politics of Culture [ Ann Arbor : University of Michigan Press , 1993 ] , 79 ) . Ionesco's ...
Page 106
... Ionesco's play : " Every object can affirm its existence only by depriving me of mine . ” 29 These chairs , of course , have a secondary referent : the actual audience members who are seated in their own chairs . Ionesco's game of pres ...
... Ionesco's play : " Every object can affirm its existence only by depriving me of mine . ” 29 These chairs , of course , have a secondary referent : the actual audience members who are seated in their own chairs . Ionesco's game of pres ...
Contents
CHAPTER | 4 |
Light Darkness and the Image in Flight | 63 |
Movement Depthless Space Excentricity | 72 |
Copyright | |
7 other sections not shown
Other editions - View all
Bodied Spaces: Phenomenology and Performance in Contemporary Drama Stanton Garner Limited preview - 2019 |
Bodied Spaces: Phenomenology and Performance in Contemporary Drama Stanton B. Garner No preview available - 1994 |
Common terms and phrases
actor actual aesthetic alienation ambiguity Appia audience Beckett's late plays Beckett's plays Beckett's theater BODIED SPACES bodily body's Bond's Brecht Brechtian characterized characters color consciousness constitutes contemporary corporeal Craig darkness deconstruction deictic deixis Derrida discloses discourse discussion disembodied Edward Bond embodiment Endgame environment experience experiential explores female fictional FIGURING SPACE gaze Handke Happy Days historical human Husserl illumination Ionesco's Krapp's Last Tape language light linguistic Marat/Sade Maria Irene Fornes material Merleau-Ponty mise-en-scène modes Mouth movement Ohio Impromptu pain perceptual performance field performance image Peter Handke phenom PHENOMENAL BODY PHENOMENOLOGY AND PERFORMANCE physical pictorial Piece of Monologue Pinter's play's Plügge political post-Brechtian poststructuralism pregnancy presence props radical realism relationship rendered Rockaby Sam Shepard Samuel Beckett scenic scenographic semiotic Shepard's spatial spectator speech stage suggests theatrical image theatrical object theory things tradition trans University Press verbal vision visual field Waiting for Godot words York