Bodied Spaces: Phenomenology and Performance in Contemporary Drama

actor actual aesthetic alienation ambiguity Appia audience Beckett's late plays Beckett's plays Beckett's theater BODIED SPACES bodily body's Bond's Brecht Brechtian characterized characters color consciousness constitutes contemporary corporeal Craig darkness deconstruction deictic deixis Derrida discloses discourse discussion disembodied Edward Bond embodiment Endgame environment experience experiential explores female fictional FIGURING SPACE gaze Handke Happy Days historical human Husserl illumination Ionesco's Krapp's Last Tape language light linguistic Marat/Sade Maria Irene Fornes material Merleau-Ponty mise-en-scène modes Mouth movement Ohio Impromptu pain perceptual performance field performance image Peter Handke phenom PHENOMENAL BODY PHENOMENOLOGY AND PERFORMANCE physical pictorial Piece of Monologue Pinter's play's Plügge political post-Brechtian poststructuralism pregnancy presence props radical realism relationship rendered Rockaby Sam Shepard Samuel Beckett scenic scenographic semiotic Shepard's spatial spectator speech stage suggests theatrical image theatrical object theory things tradition trans University Press verbal vision visual field Waiting for Godot words York