Shakespeare's Political Plays, Volume 10 |
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Page 140
... personality to whom success and title will necessarily go in the modern political life that has been cut off from medieval cosmic values . He devotes the rest of his political plays to the investigation of whether such a personality ...
... personality to whom success and title will necessarily go in the modern political life that has been cut off from medieval cosmic values . He devotes the rest of his political plays to the investigation of whether such a personality ...
Page 171
... personality that is sketched in these lines has been a subject for unfavorable comment ; but we must note that the spontaneous charm and willfulness of a Richard II or a Hotspur lead no less to disorder and destruction than do far more ...
... personality that is sketched in these lines has been a subject for unfavorable comment ; but we must note that the spontaneous charm and willfulness of a Richard II or a Hotspur lead no less to disorder and destruction than do far more ...
Page 175
... personality is stressed by the way in which Falstaff's spirit haunts the play's dark texture , providing a necessary norm of reference in our response to Henry's " new " personality . Henry's resolute harshness is evidenced by new black ...
... personality is stressed by the way in which Falstaff's spirit haunts the play's dark texture , providing a necessary norm of reference in our response to Henry's " new " personality . Henry's resolute harshness is evidenced by new black ...
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Common terms and phrases
accept achieve action Aeschylus already appears authority Bastard battle become begins Brutus Caesar Cassius character complex concerned contrast Coriolanus course crown death earlier effective Elizabethan England English established fact fails Falstaff father favor fear feels figure finally forces France French further give Gloucester hand hath head heart Henry Henry's history play Hotspur human initiative interest issues Joan John John's judgment kind king king's land later less lines live look Lord Margaret means medieval merely mind moral murder nature never once opening peace personality political present Prince proves Providence queen reason recognize reflects remains response result rhetoric Richard Richard III role scene seems sense Shakespeare shows situation soliloquy speech spirit success Suffolk suggests thee theme thou throne tion true turn ultimate values virtue York