Art: A History of Painting, Sculpture, and Architecture, Volume 1 |
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Page 193
... Impressionists ( see Part Six , Chapter 4 ) derived their effects of light and air from the direct analysis of the real country or city views before their eyes . The imaginary landscapes of the Fourth Style might better be compared with ...
... Impressionists ( see Part Six , Chapter 4 ) derived their effects of light and air from the direct analysis of the real country or city views before their eyes . The imaginary landscapes of the Fourth Style might better be compared with ...
Page 205
... impressionistic for first - century landscape paint-. most powerful examples . In comparison with the his- torical reliefs of the Arch of Titus and the Column of Trajan ( see figs . 268 , 269 , 278 ) , through which the Romans move in ...
... impressionistic for first - century landscape paint-. most powerful examples . In comparison with the his- torical reliefs of the Arch of Titus and the Column of Trajan ( see figs . 268 , 269 , 278 ) , through which the Romans move in ...
Page 206
A History of Painting, Sculpture, and Architecture Frederick Hartt. act as is impressionistic for first - century landscape paint- ing , but at least it underscores the new emphasis on raw emotion to the detriment of structure and ...
A History of Painting, Sculpture, and Architecture Frederick Hartt. act as is impressionistic for first - century landscape paint- ing , but at least it underscores the new emphasis on raw emotion to the detriment of structure and ...
Contents
FOREWORD PAGE | 11 |
Paleolithic Art Old Stone Age 30000 | 26 |
Neolithic Art New Stone Age 8000 | 32 |
Copyright | |
3 other sections not shown
Common terms and phrases
Abbey Church Acropolis ancient angels appear apse arcade Archaeological Museum Archaic arches architect architecture artists Athens B.C. Marble barrel vaults basilica beautiful bronze building built buttresses Byzantine capitals Carolingian carved Çatal Hüyük Cathedral Cathedral of Chartres central century B.C. Chapel choir Christ Classical clerestory colonnade colonnettes color colorplate columns Corinthian decorated dome Doric drapery dynasty earliest Early Christian Egypt Egyptian emperor Empire Etruscan façade figures France frescoes frieze gold Gothic Greek groin vaults Hagia Sophia head height Hellenistic Illumination imperial interior Italian Italy king later light limestone Mesopotamia Middle Ages Minoan mosaics Mosque Museo Mycenae nave original ornament Ottonian painter palace panel pediment period piers portal pose Reims relief Renaissance Roman Romanesque Rome roof Saint Saqqara scenes sculpture shapes shows side aisles space statues stone structure style surface Temple tion tomb towers tracery tradition Trajan transept vase wall paintings westwork Zeus