Thoth, Volume 16Graduate students of the English Department, Syracuse University, 1976 - American literature |
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Page 19
... audience knows significantly less than at least one participant , the villain . Shakespeare's usual technique , on the other hand , is to provide the audience with knowledge which is usually equal to that of the best - informed ...
... audience knows significantly less than at least one participant , the villain . Shakespeare's usual technique , on the other hand , is to provide the audience with knowledge which is usually equal to that of the best - informed ...
Page 20
4 audience's having an omniscient , or almost omniscient , view of the play's proceedings . If , however , the audience knows less than do certain important participants , the view is far from omniscient , and the result is suspense as ...
4 audience's having an omniscient , or almost omniscient , view of the play's proceedings . If , however , the audience knows less than do certain important participants , the view is far from omniscient , and the result is suspense as ...
Page 39
... audience expects to see Envy appear , weaker than before , and to see Mucedorus quickly dispose of the threat . The playwright , however , uses the pattern of comic transformation to undercut the audience's expectations . Although Bremo ...
... audience expects to see Envy appear , weaker than before , and to see Mucedorus quickly dispose of the threat . The playwright , however , uses the pattern of comic transformation to undercut the audience's expectations . Although Bremo ...
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actions Apemantus Aristotle associated audience awareness behavior Bisclavret Book Bremo Breton lais Britomart character Charissa charity chastity Christian comedy comic transformation concept created Cupid Cupid-Psyche myth death deceive destiny Diana disguise elements Elizabethan English Envy Ethics Faerie Queene faith fertility Flaubert Flavius friends friendship Gallathea Gallathea and Phyllida goddess Graelent Guingamor Hieronimo Il Penseroso imagination Improvisations king Kirschbaum Kora Kora in Hell L'Allegro lady Lanval Liberalitie liberality London Lorenzo loue Lyly Lyly's Marie de France Marie's Melion Milton mortal Mouse Mouse's Mucedorus narrative narrator nature Neptune Neptune's nymphs orphic Paraday Paraday's Persephone play play's poem poet poet's poetic poetry Press Primaudaye prologue Psyche Redcrosse Renaissance revenge role scene sentence serves Shakespeare shepherd soliloquy Spanish Tragedy Spenser's story structure supernatural lover Syracuse University thematic THOTH thou Timon of Athens Tityrus trans Tremelio true underworld unfulfilled love Venus villainy Villuppo virgin virtue vision werewolf Williams York