The World & Art of Shakespeare |
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Page 49
... represented time , namely the intervals between the scenes and acts . Thus a ten - minute scene by the theatre clock may represent an hour by the stage - clock in the play ( obvious examples are provided by the opening scene of Hamlet ...
... represented time , namely the intervals between the scenes and acts . Thus a ten - minute scene by the theatre clock may represent an hour by the stage - clock in the play ( obvious examples are provided by the opening scene of Hamlet ...
Page 197
... ( represented here by Bertram's father , the truly noble Count de Rousillon , his aged widow and the old Lord Lafeu , who are being succeeded by the weak - willed Bertram with his false values ) by rescuing them from their false concepts ...
... ( represented here by Bertram's father , the truly noble Count de Rousillon , his aged widow and the old Lord Lafeu , who are being succeeded by the weak - willed Bertram with his false values ) by rescuing them from their false concepts ...
Page 223
... represented in the play by Cordelia , is equally impracticable , however . It is truth , purity , divine love ... represents Truth , as is clear from her uncompromising stand in the opening scene . Nor does she ever express regret for ...
... represented in the play by Cordelia , is equally impracticable , however . It is truth , purity , divine love ... represents Truth , as is clear from her uncompromising stand in the opening scene . Nor does she ever express regret for ...
Contents
SHAKESPEARE AND THE DRAMATIC TRADITION | 12 |
THE ELIZABETHAN THEATRE | 25 |
IDOLA THEATRI | 38 |
Copyright | |
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action actors Antony Antony's appear aroused attitude audience awareness Beatrice behaviour Benedick Bolingbroke Brutus Caesar century character Christian Claudius Cleopatra comedy comic contrast conventions Coriolanus corrupt court critics daughter death Desdemona divine doth drama dramatist Duke earlier Elizabethan enemies England English evil fact Falstaff father finally fool friends Ganymede Hamlet hath heaven Henry Henry VI hero heroine honour Iago imagery Juliet Julius Caesar killed King Lear kingship lady Laertes Lord Love's Labour's Lost lovers Macbeth marriage Measure for Measure Merchant of Venice mind mock moral murder nature nobility noble Othello passion patterns plot presented pride Prince Queen rejection revealed revenge Richard Richard II romantic Romeo Romeo and Juliet Rosalind royal scene sense Shakespeare Shakespeare's plays Shylock speech stage stresses symbolic theatre thee theme thou throne tragedy tragic Troilus and Cressida true villain virtue wife words
References to this book
A New Variorum Edition of Shakespeare: King Henry IV, part 2. 1940 William Shakespeare No preview available - 1977 |