The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 117
... turn to the objective structures that determined them . In order to do that , I need not renounce my emotion , but I must enclose it , as it were , in parentheses , for I am resolved to make an objective study of that system of signs ...
... turn to the objective structures that determined them . In order to do that , I need not renounce my emotion , but I must enclose it , as it were , in parentheses , for I am resolved to make an objective study of that system of signs ...
Page 130
... turn the question around , to ask instead what elements psychoanalysis might have borrowed from literature and incorporated into its own doctrine . If , to however limited a degree , literature was one of the sources of psychoanalysis ...
... turn the question around , to ask instead what elements psychoanalysis might have borrowed from literature and incorporated into its own doctrine . If , to however limited a degree , literature was one of the sources of psychoanalysis ...
Page 190
... turning point of the story , the moment when the neglected hero reveals his prowess , following the mythological pattern that underlies the entire episode . Now it is the turn of the others present , of the noble dinner guests , to be ...
... turning point of the story , the moment when the neglected hero reveals his prowess , following the mythological pattern that underlies the entire episode . Now it is the turn of the others present , of the noble dinner guests , to be ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing