The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 175
... role as permanent subject by the presence of its correlate " thou , " which establishes the motivation of the discourse . Here I am thinking of the Confessions of Saint Augustine : the author addresses God with the intention of edifying ...
... role as permanent subject by the presence of its correlate " thou , " which establishes the motivation of the discourse . Here I am thinking of the Confessions of Saint Augustine : the author addresses God with the intention of edifying ...
Page 179
... role . The self - effacement of the narrator ( who assumes the impersonal role of historian ) The Living Eye 174.
... role . The self - effacement of the narrator ( who assumes the impersonal role of historian ) The Living Eye 174.
Page 186
... roles fits the structural pattern of the myth of the " forbidden princess . " ( Think of the story of Turandot and the role of the riddles . ) One has the sense that this is Rousseau's personal interpretation of a timeless mythological ...
... roles fits the structural pattern of the myth of the " forbidden princess . " ( Think of the story of Turandot and the role of the riddles . ) One has the sense that this is Rousseau's personal interpretation of a timeless mythological ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing