The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
From inside the book
Results 1-3 of 69
Page 109
... reveals itself in the final moment as an absolute will to liberation . Having subjugated others , it can achieve fulfillment only by escaping its own domination and hurling itself joyfully into the jaws of death . Stendhal's personal ...
... reveals itself in the final moment as an absolute will to liberation . Having subjugated others , it can achieve fulfillment only by escaping its own domination and hurling itself joyfully into the jaws of death . Stendhal's personal ...
Page 118
... reveals itself to us as a novel system of reciprocal relations defined by its " form , " a system that appears to be ... revealed by the successive variations of the critical point of view ( also virtually without limit ) . The task of ...
... reveals itself to us as a novel system of reciprocal relations defined by its " form , " a system that appears to be ... revealed by the successive variations of the critical point of view ( also virtually without limit ) . The task of ...
Page 219
... reveals the physical sign , or seme , without explicitly elaborating its significance ; sometimes he first discloses the significance ( astonishment , for example ) without mentioning the physical signs ; and frequently he slips in an ...
... reveals the physical sign , or seme , without explicitly elaborating its significance ; sometimes he first discloses the significance ( astonishment , for example ) without mentioning the physical signs ; and frequently he slips in an ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing