The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 72
... result of some incomprehensible weakness that he allowed himself to become in- volved in developing a discursive ... results , in the style of Rousseau's ideas , in an elusive quality of tremulousness and enthusiasm , an alternate ...
... result of some incomprehensible weakness that he allowed himself to become in- volved in developing a discursive ... results , in the style of Rousseau's ideas , in an elusive quality of tremulousness and enthusiasm , an alternate ...
Page 172
... result of the freedom offered by language and literary convention and of the use made of that freedom by the scriptor ( by which I mean the author of an autobiography considered independent of his quality as writer ) . Style as self ...
... result of the freedom offered by language and literary convention and of the use made of that freedom by the scriptor ( by which I mean the author of an autobiography considered independent of his quality as writer ) . Style as self ...
Page 179
... result of the freedom offered by language and literary convention and of the use made of that freedom by the scriptor ( by which I mean the author of an autobiography considered independent of his quality as writer ) . Style as self ...
... result of the freedom offered by language and literary convention and of the use made of that freedom by the scriptor ( by which I mean the author of an autobiography considered independent of his quality as writer ) . Style as self ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing