The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 210
... Response : " Whereupon I said " 3. Consequence : " They all looked at me and at one another " The subjects of the first phase are the ignorant guest and , later , the Count of Gouvon . In the second phase , Rousseau is the sole subject ...
... Response : " Whereupon I said " 3. Consequence : " They all looked at me and at one another " The subjects of the first phase are the ignorant guest and , later , the Count of Gouvon . In the second phase , Rousseau is the sole subject ...
Page 211
... response , " whose comic effect is increased by the contrast with the preceding instances of successful response . The narrator consoles himself in the concluding sentence with two linked , symmetrical statements , in which the young ...
... response , " whose comic effect is increased by the contrast with the preceding instances of successful response . The narrator consoles himself in the concluding sentence with two linked , symmetrical statements , in which the young ...
Page 214
... response ( second phase ) to the original sin , and the uncontrolled consequence ( third phase ) to the unfolding of historical time . If there is a time prior to the provocation , there is also a time following the uncontrolled ...
... response ( second phase ) to the original sin , and the uncontrolled consequence ( third phase ) to the unfolding of historical time . If there is a time prior to the provocation , there is also a time following the uncontrolled ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing