The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 175
... person * empha- size the event and secondarily reflect upon the protagonist the glory of the actions in which he takes part . A form of apparent modesty , third - person autobiographical narrative adds the luster of event after event to ...
... person * empha- size the event and secondarily reflect upon the protagonist the glory of the actions in which he takes part . A form of apparent modesty , third - person autobiographical narrative adds the luster of event after event to ...
Page 177
... person , the " I " ) remains constant . This constancy is ambiguous , for the narrator then was different from what he is today . But how could he fail to see himself in the other person he once was ? How could he refuse to accept ...
... person , the " I " ) remains constant . This constancy is ambiguous , for the narrator then was different from what he is today . But how could he fail to see himself in the other person he once was ? How could he refuse to accept ...
Page 179
... person * empha- size the event and secondarily reflect upon the protagonist the glory of the actions in which he takes part . A form of apparent modesty , third - person autobiographical narrative adds the luster of event after event to ...
... person * empha- size the event and secondarily reflect upon the protagonist the glory of the actions in which he takes part . A form of apparent modesty , third - person autobiographical narrative adds the luster of event after event to ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing