The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 37
... follow hours devoted to the copying of musical scores . Should we smile when he tells us that he was never more himself than on his days of reverie ? Not at all . For Jean - Jacques , being himself means being free to become someone ...
... follow hours devoted to the copying of musical scores . Should we smile when he tells us that he was never more himself than on his days of reverie ? Not at all . For Jean - Jacques , being himself means being free to become someone ...
Page 94
... follow the strategic routes he had mapped out in advance , for in the event the order proved too mechanical , the routes too unswerving ; when he attempted to follow them , they lost whatever plausibility they seemed to have in ...
... follow the strategic routes he had mapped out in advance , for in the event the order proved too mechanical , the routes too unswerving ; when he attempted to follow them , they lost whatever plausibility they seemed to have in ...
Page 164
... follows fatally in its train , establishes its dominion over love . The biting cold of the first nocturnal scene on the ... follow him , to question him and drag the secret of his depression out of him . He wards them off . Then some ...
... follows fatally in its train , establishes its dominion over love . The biting cold of the first nocturnal scene on the ... follow him , to question him and drag the secret of his depression out of him . He wards them off . Then some ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing