The Living EyeThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Annotation copyright Book News, Inc. Portland, Or. |
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Page 12
... distance if we are to speak of it at all . So why not deliberately establish a distance capable of revealing in a panoramic view the surroundings with which the work is organically associated ? We might attempt to identify certain ...
... distance if we are to speak of it at all . So why not deliberately establish a distance capable of revealing in a panoramic view the surroundings with which the work is organically associated ? We might attempt to identify certain ...
Page 103
... distance between himself and the desired prey . The distances imposed by the conventions of gallantry are no longer sufficient . He prefers to disappear altogether . Thus he is delivered from the need to mask himself . But has he not ...
... distance between himself and the desired prey . The distances imposed by the conventions of gallantry are no longer sufficient . He prefers to disappear altogether . Thus he is delivered from the need to mask himself . But has he not ...
Page 207
... distance greater than ever . Now the gestures of desire are limited to the footman's stubborn loitering about the ... distance between the lovers and thus make it possible for them to feel emotion at a distance . It is as if direct ...
... distance greater than ever . Now the gestures of desire are limited to the footman's stubborn loitering about the ... distance between the lovers and thus make it possible for them to feel emotion at a distance . It is as if direct ...
Contents
JeanJacques Rousseau and the Peril of Reflection | 14 |
Pseudonymous Stendhal | 78 |
The Critical Relation | 112 |
Copyright | |
5 other sections not shown
Common terms and phrases
aorist tense autobiography becomes Confessions consciousness criticism desire discourse Discourse on Inequality distance divine dreams Emile Benveniste emotion event existence expression external eyes fact fascination feeling fiction Freud gaze glance Hamlet happiness Hence hero Ibid imaginary imagination initial inner innocence interpretation intuition invented Jean-Jacques Jean-Jacques Rousseau Jean-Jacques's knowledge language literary literature longer look Ludwig Binswanger Mademoiselle de Breil Marcel Raymond mask meaning metamorphosis method mirror motto myth narcissism narration narrative nature neurosis never object Oedipus Oedipus complex Oedipus Rex once oneself Paris passion past perfect person play pleasure possession possible present pseudonyms psychoanalysis psychological pure reality reason reflection relation remains reveals reverie role Rousseau scene seeks sensation sense Shakespeare's Sigmund Freud situation social society sometimes soul speak Stendhal style symbolic takes theme things third-person narrative thought transformation truth Turin uncon unconscious witness words writing